Harold North Fowler

Harold North Fowler

Summary

Portrait of Harold North Fowler Harold North Fowler A History of Roman Literature

Henceforth the great orator might hope to win cases in the courts, but he could no longer change the policy of the nation; the historian might search the records of the past and describe the deeds of those who were no longer living, but if he wrote of the history of his own times, he must have the fear of the master always before his eyes; the poet could sing of love and wine and nature without let or hindrance, but poems of national and political importance could hardly be written except by those in sympathy with the empire.
Source: Gutenberg

Portrait of Harold North Fowler Harold North Fowler A History of Roman Literature

None but Horace himself has been able to express his delicate feeling and poetic fancy in such perfect form. The Satires and the Epistles are full of brilliant and witty sayings, of critical and historical remarks; they throw much light upon the social and literary life of the period, and make us acquainted with the character of the poet; but the Odes are “a monument more enduring than bronze,” testifying to the genius, the industry, the good taste, and, in some cases, to the patriotic spirit of the most perfect of Roman lyric poets.
Source: Gutenberg

Portrait of Harold North Fowler Harold North Fowler A History of Roman Literature

Vitruvius was evidently a man of no great literary education or ability, however able he may have been as an architect.
The age of Augustus is marked by the highest development of Roman poetry. Virgil, Horace, Tibullus, Propertius and Ovid are, each in his own way, the greatest of the Roman poets. Only Catullus and Lucretius can be compared with any one of them. The only great prose writer of the period is Livy. His style is still pure, and is certainly very charming; but even Livy departs somewhat from the dignity and beauty of the sermo urbanus, the Latin of Cicero and Cæsar.
Source: Gutenberg

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