Henry Rankin Poore,
Pictorial Composition and the Critical Judgment of Pictures
“ Those whose artistic freedom bids defiance to the slavery of rule, as applied to an artistic product, and who try to produce something that shall break all rules, in the hope of being original, spend the greater part of the time in but covering the surface so that the principle may not be too easily seen, and the rest of the time in balancing the unbalanced. As the balance of the figure dominates all other considerations in the statue or painting of the human form, so does the equipoise of the picture, or its balance of parts, become the chief consideration in its composition. ”
