Odes

Definition and stakes

John Conington,  The Odes and Carmen Saeculare (1872)

“ A few of them are beautiful, but some are revolting, and the rest, as pictures of a roving and sensual passion, remind us of the least attractive portion of the Odes. In the case of a writer like Horace it is not easy to draw an exact line; but though in the Odes our admiration of much that is graceful and tender and even true may balance our moral repugnance to many parts of the poet's philosophy of life, it does not seem equally desirable to dwell minutely on a class of compositions where the beauties are fewer and the deformities more numerous and more undisguised. ”
Source: Wikisource

Francis David Morice,  Pindar (1879)

“ As we have seen, the actual occasion of an Ode is one thing, its real theme is frequently another. A modern reader, again, will care little for the distinctions, which to a Greek seemed so important, of chariot-race, mile-race, wrestling-match, and the like, and will wish for some classification less dependent on what he will regard as insignificant accidents of the particular Odes. ”
Source: Wikisource

Friedrich Bouterwek,  History of Spanish and Portuguese Literature…

“ In the composition of odes Ferreira unquestionably endeavoured to form his style on the model of Horace. But among the thirteen poems, which in the collection of Ferreira’s works are ranged under the title of Odas, and which notwithstanding their scanty number are divided into two books, there is not one which exhibits a truly lyric flight of fancy. In all the language is excellent; the sentiment noble; and the didactic tone and the dignity of the whole manner are in admirable unison with the sonorous melody of the metre ”
Source: Gutenberg

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