Joseph Hergesheimer,
Gold and Iron — Wild Oranges
(1918)
“ John Woolfolk thought, as he presented himself, that he had never before seen such an immaterial living figure. Lichfield Stope was like the shadow of a man draped with unsubstantial, dusty linen. Into his waxen face beat a pale infusion of blood, as if a diluted wine had been poured into a semi-opaque goblet; his sunken lips puffed out and collapsed; his fingers, dust-colored like his garb, opened and shut with a rapid, mechanical rigidity.“Father,” Millie Stope remonstrated, “you must manage yourself better. You know I wouldn't bring any one to the house who would hurt us. ”
