Kate Chopin

Kate Chopin

Summary

Portrait of Kate Chopin Kate Chopin Bayou Folk

No! Why drag in Père Antoine? He would simply stand boldly and say, "Ma'ame Zidore, I learn that Lalie is ill. I have come to know if it is true, and to see her, if I may."
When Azenor reached the cabin where Lalie dwelt, all sign of day had vanished. Dusk had fallen swiftly after the sunset. The moss that hung heavy from great live-oak branches was making fantastic silhouettes against the eastern sky that the big, round moon was beginning to light. Off in the swamp beyond the bayou, hundreds of dismal voices were droning a lullaby. Upon the hovel itself, a stillness like death rested.
Source: Gutenberg

Portrait of Kate Chopin Kate Chopin Bayou Folk

Wallace Offdean was like one to whom a divinity had revealed his vocation in life,—no less a divinity because it was love. If doubts assailed him of Euphrasie's consent, they were soon stilled. For had they not spoken over and over to each other the mute and subtile language of reciprocal love—out under the forest trees, and in the quiet night-time on the plantation when the stars shone?
Source: Gutenberg

Portrait of Kate Chopin Kate Chopin Bayou Folk

Grégoire loved women. He liked their nearness, their atmosphere; the tones of their voices and the things they said; their ways of moving and turning about; the brushing of their garments when they passed him by pleased him. He was fleeing now from the pain that a woman had inflicted upon him. When any overpowering sorrow came to Grégoire he felt a singular longing to cross the Sabine River and lose himself in Texas. He had done this once before when his home, the old Santien place, had gone into the hands of creditors. The sight of 'Tite Reine's distress now moved him painfully.
Source: Gutenberg

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