Kate Chopin

Kate Chopin

../../ (1890)

Summary

Portrait of Kate Chopin Kate Chopin,  ../../ (1890)

“ Grégoire called out that the horses were ready. Melicent was approaching in her diaphanous envelope, and Hosmer reluctantly let drop Thérèse’s hand and left her.
As the men rode away, the two women stood silently following their diminishing outlines into the darkness and listening to the creaking of the saddles and the dull regular thud of the horses’ feet upon the soft earth, until the sounds grew inaudible, when they turned to the inner shelter of the veranda.
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Source: Wikisource

Portrait of Kate Chopin Kate Chopin,  ../../ (1890)

“ At the Mill.
David Hosmer sat alone in his little office of roughly fashioned pine board. So small a place, that with his desk and his clerk’s desk, a narrow bed in one corner, and two chairs, there was scant room for a man to more than turn himself comfortably about. He had just dispatched his clerk with the daily bundle of letters to the post-office, two miles away in the Lafirme store, and he now turned with the air of a man who had well earned his moment of leisure, to the questionable relaxation of adding columns and columns of figures.
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Source: Wikisource

Portrait of Kate Chopin Kate Chopin,  ../../ (1890)

“ Worthington’s locks.
Dressed, and evidently waiting with forced patience for the termination of these overhead maneuvers of her friend, sat Lou,—Mrs. Jack Dawson,—a woman whom most people called handsome. If she were handsome, no one could have told why, for her beauty was a thing which could not be defined. She was tall and thin, with hair, eyes, and complexion of a brownish neutral tint, and bore in face and figure, a stamp of defiance which probably accounted for a certain eccentricity in eschewing hair dyes and cosmetics.
”
Source: Wikisource

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