Katherine Mansfield

Katherine Mansfield

Summary

Portrait of Katherine Mansfield Katherine Mansfield In a German Pension

The bridegroom wrenched the pot away from her and drew forth a baby’s bottle and two little cradles holding china dolls. As he dandled these treasures before Theresa the hot room seemed to heave and sway with laughter.
Frau Brechenmacher did not think it funny. She stared round at the laughing faces, and suddenly they all seemed strange to her. She wanted to go home and never come out again. She imagined that all these people were laughing at her, more people than there were in the room even—all laughing at her because they were so much stronger than she was.
Source: Gutenberg

Portrait of Katherine Mansfield Katherine Mansfield In a German Pension

Elsa, in a white velvet tea-gown, lay curled up on the sofa—a book of fashions on her lap, a box of creams beside her.
The curtains were not yet drawn before the windows and a blue light shone through, and the white boughs of the trees sprayed across.
A woman’s room—full of flowers and photographs and silk pillows—the floor smothered in rugs—an immense tiger-skin under the piano—just the head protruding—sleepily savage.
“It was good enough,” said Max. “Victor can’t be in till late. He told me to come up and tell you.”
Source: Gutenberg

Portrait of Katherine Mansfield Katherine Mansfield In a German Pension

It was almost dark in the kitchen. She laid the baby on the wooden settle, covering him with a shawl, then poured the coffee from the earthenware jug into the saucepan, and set it on the spirit lamp to boil.
“I’m sleepy,” nodded the Child-Who-Was-Tired, kneeling on the floor and splitting the damp pine logs into little chips. “That’s why I’m not awake.”
The oven took a long time to light. Perhaps it was cold, like herself, and sleepy.... Perhaps it had been dreaming of a little white road with black trees on either side, a little road that led to nowhere.
Source: Gutenberg

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