Letitia Elizabeth Landon

Letitia Elizabeth Landon

The Knife (1832)

Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon,  The Knife (1832)

“ This was between seven and eight o'clock, just the time when the murder must have been committed; for John Dodd, the carrier, was there about half-past eight, and the body was then warm with recent life.
The belief in the innocence of the woman gave even a deeper horror to the moor: the shop went to ruins, the path was deserted, and even now, when the gallows-tree and the body have alike gone to decay, the tradition haunts the place fresh and fearful as ever. One trace remains of the little cottage-garden.
”
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon,  The Knife (1832)

“ What a pretty, fair, delicate-looking girl was Harriet Lynn! how well I remember her, with her small black silk bonnet, casting a deeper shadow on the light-brown hair that escaped in waves rather than curls from the bondage of her cap; the neat white handkerchief, the dark stuff dress, the full sleeves a little turned back from the slender wrist, and hands whose softness had been uninjured by their ordinary employment—that of plaiting the finest straw. Many a summer's evening have I seen her stand at the gate of the cottage-garden, over which hung a cherry-tree, the pride of her uncle ”
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon,  The Knife (1832)

“ Bird's shop, and a long and dreary way there was before the murderer could reach the place of his crime and of its punishment. The usually lonely moor was covered with people; and to the left the gallows, dimly seen through the thick fog, stood out every moment more distinctly, as the mist melted into rain. The prisoners were placed upon the scaffold, and their fetters knocked off: so great was the stillness, that almost every ear heard the clank of the chains as they fell to the ground. ”
Source: Wikisource

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