Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens Miscellaneous Papers

Should he be frightened by the sight of a dead man? We are born to die, he says, with a careless triumph. We are not born to the treadmill, or to servitude and slavery, or to banishment; but the executioner has done no more for that criminal than nature may do tomorrow for the judge, and will certainly do, in her own good time, for judge and jury, counsel and witnesses, turnkeys, hangman, and all. Should he be frightened by the manner of the death? It is horrible, truly, so horrible, that the law, afraid or ashamed of its own deed, hides the face of the struggling wretch it slays
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Miscellaneous Papers

Now, what is this but a false arguing of the question, announcing a foregone conclusion, expressly leading to the crime, and inseparably arising out of the Punishment of Death? “I took his life. I give up mine to pay for it. Life for life; blood for blood. I have done the crime. I am ready with the atonement. I know all about it; it’s a fair bargain between me and the law. Here am I to execute my part of it; and what more is to be said or done?” It is the very essence of the maintenance of this punishment for murder, that it does set life against life.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Miscellaneous Papers

It is worthy of remark, that the nearer he approaches to the gallows—the great last scene to which the whole of these effects have been working up—the more the overweening conceit of the poor wretch shows itself; the more he feels that he is the hero of the hour; the more audaciously and recklessly he lies, in supporting the character. In public—at the condemned sermon—he deports himself as becomes the man whose autographs are precious, whose portraits are innumerable; in memory of whom, whole fences and gates have been borne away, in splinters, from the scene of murder.
Source: Gutenberg

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