Summary

Portrait of Lev Shestov Lev Shestov Anton Tchekhov, and Other Essays

Schopenhauer, the philosopher and metaphysician, feared to revise the works of his youth in his old age. He felt that he would spoil them by his mere touch. And all men mistrust old age, all share Schopenhauer's apprehensions. But what if all are mistaken? What if senilia bring us nearer to the truth? Perhaps the soothsaying birds of Apollo grieve in unearthly anguish for another existence; perhaps their fear is not of death but of life; perhaps in Turgeniev's poems, as well as in Ibsen's last drama, are already heard, if not the last, then at least the penultimate words of mankind.
Source: Gutenberg

Portrait of Lev Shestov Lev Shestov Anton Tchekhov, and Other Essays

And we must confess that Goethe's and Spinoza's conception of the world lives so much in each one of us that in most cases we can love and respect the world only when our souls feel in it a symmetrical harmony. Harmony seems to us at once-the highest value and the ultimate truth. It gives to the soul great peace, a stable firmness, a trust in the Creator—the highest boons accessible to mortal men, as the philosophers teach. Nevertheless, there are other yearnings. Man's heart is suddenly possessed by a longing for the fantastic, the unforeseen, for that which cannot be foreseen.
Source: Gutenberg

Portrait of Lev Shestov Lev Shestov Anton Tchekhov, and Other Essays

Worse still, the organisation appears to be the enemy of the will and of man. One must spoil, devour, destroy, ruin. To think out things quietly, to anticipate the future—that is impossible. One must beat one's head, beat one's head eternally against the wall. And to what purpose? Is there any purpose at all? Is it a beginning or an end? Is it possible to see in it the warrant of a new and inhuman creation, a creation out of the void? 'I do not know' was the old professor's answer to Katy. 'I do not know' was Tchekhov's answer to the sobs of those tormented unto death.
Source: Gutenberg

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