Summary

Louis Zangwill,  The Beautiful Miss Brooke

“ He denied any further love, though hating to tell the lie. But Miss Brooke persisted, entreating, provoking, urging, coaxing, pouting; subtly transforming herself into the child with its lovable moods and movements; enslaving him, rendering him powerless at her will, with this one strange exception—he could be strong enough to withhold from her the episode he was ashamed of.
"Paul, Paul," she said sternly. "Tell the truth. Are you not in love now?"
”
Source: Gutenberg

Louis Zangwill,  The Beautiful Miss Brooke

“ He would surround her with his love so that escape from it should be impossible. It should permeate every fibre of her being, and she should in the end come to him and give up everything to fulfil the duties of a wife, presiding over his household, absorbing herself in his career, and giving all her thought to the unity their two lives would constitute. Of course, she could paint in such time as was left to her, and any glory she might achieve would redound to the credit of his name. Still when a woman had once become a wife, he argued, her ambition generally faded. ”
Source: Gutenberg

Louis Zangwill,  The Beautiful Miss Brooke

“ Though he knew as a general biological fact that women fall in love with men, Paul, despite all the love-stories he had read, had never yet been able to grasp it and admit it to himself as a fact of actual life. Somehow, he had always felt that the onus of falling in love and of courtship rested on men, and that it was very good and condescending of women to allow themselves to be loved at all. But Miss Brooke's way of talking seemed to take it for granted that it was a perfectly natural and proper thing for a woman to be in love, that romance was a thing a woman might own to without any shame ”
Source: Gutenberg

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