Summary

Portrait of Louisa May Alcott Louisa May Alcott Jo's Boys — Chapter XIV. PLAYS AT PLUMFIELD (1886)

The last scene was a cheerful contrast to this; for the country kitchen was bright with Christmas cheer, the wounded hero, with black patch and crutches well displayed, sat by the fire in the old chair whose familiar creak was soothing to his ear; pretty Dolly was stirring about, gaily trimming dresser, settle, high chimney-piece, and old-fashioned cradle with mistletoe and holly; while the mother rested beside her son, with that blessed baby on her knee.
Source: Wikisource

Portrait of Louisa May Alcott Louisa May Alcott Jo's Boys — Chapter XIV. PLAYS AT PLUMFIELD (1886)

Henceforth I am a model wife, else I don't deserve the dearest, best man ever born'; and being in a dramatic mood, Mrs Juno tenderly embraced her excellent Jove in the moonlight, to the great amusement of sundry lingerers behind them.
So all three plays might be considered successes, and that merry Christmas night a memorable one in the March family; for Demi got an unspoken question answered, Josie's fondest wish was granted, and, thanks to Professor Owlsdark's jest, Mrs Jo made Professor Bhaer's busy life quite a bed of roses by the keeping of her resolution.
Source: Wikisource

Portrait of Louisa May Alcott Louisa May Alcott Jo's Boys — Chapter XIV. PLAYS AT PLUMFIELD (1886)

The orchestra tuned their instruments with unusual care, the scene-shifters set their stage with lavish elegance, the prompter heroically took his seat in the stifling nook provided for him, and the actors dressed with trembling hands that dropped the pins, and perspiring brows whereon the powder wouldn't stick. Beaumont and Fletcher were everywhere, feeling that their literary reputation was at stake; for sundry friendly critics were invited, and reporters, like mosquitoes, cannot be excluded from any earthly scene, be it a great man's death-bed or a dime museum.
Source: Wikisource

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