Ludwig Tieck

Ludwig Tieck

Summary

Portrait of Ludwig Tieck Ludwig Tieck The Pictures — SECTION III (1822)

If only no new and worse barbarism had arisen to supply its place! cried Eulenböck, purpling deep with wine, as he threw a fiery glance at the stranger. I never cease to regret that in our days the language of a genuine connoisseur is scarcely any longer to be heard; enthusiasm drowns the voice of judgment; and yet nothing is so instructive for the artist as a conversation with a genuine lover of the arts, to inform and animate him, though it is an advantage which for years together he may not be fortunate enough to enjoy.
Source: Wikisource

Portrait of Ludwig Tieck Ludwig Tieck The Pictures — SECTION III (1822)

Eulenböck, who observed every thing, and was never so well pleased as when he could wrap his malice in the disguise of good-nature, squeezed the young man's hand, and thanked him with seeming emotion for having cruised about so long merely to sit by the side of an old man who, it was true, also loved and practised the art, but still with his declining powers could no longer emulate the flight of the new school, though its enthusiasm rekindled his old fire, and warmed his chilled spirits.
Source: Wikisource

Portrait of Ludwig Tieck Ludwig Tieck The Pictures — SECTION III (1822)

Your dislike, said Dietrich, carries with it the picture's best praise. Is not then all that tempts man a spectre, only wrapped in the alluring form of beauty, or arming itself with an empty show of horror? May it not be thought that a representation like this has acquired in these latter days a double import? This temptation comes to all who are not quite conscious what their hearts are made of; but in that holy man we see the steady and pure eye, which is raised above fear, and has been long enough acquainted with the real invisible beauty to spurn horrour and trivial desire.
Source: Wikisource

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