Summary

Portrait of Lynn Thorndike Lynn Thorndike The Place of Magic in the Intellectual History of Europe (1905)

Perhaps, though I am far from asserting this, magic played a less prominent part then in science and in philosophy than in the later Middle Ages. Perhaps we may picture to ourselves the minds of men in the twelfth and thirteenth and succeeding centuries as awakening from a long, intellectual torpor during the chaotic and dreary "Dark Ages," and, eager for knowledge and for mental occupation, but still inexperienced and rather bewildered, as snatching without discrimination at whatever came first to hand of the lore of the past.
Source: Wikisource

Portrait of Lynn Thorndike Lynn Thorndike The Place of Magic in the Intellectual History of Europe (1905)

The art of signatures, oneiromancy, augury, divination, astrology, alchemy, the Cabala, sorcery, and necromancy are some designations which at once come to mind. But no one of them is at all adequate as a class name for all these beliefs and the practices which they involve, taken together. Are not these notions, nevertheless, closely allied; is there not an intimate relation between them all? And is not “magic” a term which will include them all and denote the general subject, the philosophy and the art, of which they all are branches?
Source: Gutenberg

Portrait of Lynn Thorndike Lynn Thorndike The Place of Magic in the Intellectual History of Europe (1905)

Finally, we should remember that man always is a factor in magic. His knowledge, skill or power is always essential to the performance of a feat of magic. Even when demons do the deed, they must be invoked. A miracle may be contrary to natural law but it is not magic, for man is not the cause of it. Even if wrought in answer to his prayer, the miracle is not magic, for the gods answer only if they choose. But the magic formula compels the desired marvel; by it man coerces nature or even deity.
Such are some of the chief characteristics of magic.
Source: Wikisource

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