Marjorie Bowen

Marjorie Bowen

Summary

Portrait of Marjorie Bowen Marjorie Bowen,  Miss Modernity (1924)

“ The fair smooth face was set in a smile of ideal sweetness.
"What a pity she can't come to life!" smiled Harry Lambton.
"She is the type you admire?" asked Elizabeth, adjusting her glasses. "A simpering, cloying doll?"
"I love her," he returned, unabashed. "Do you know that the whole kit is upstairs in the chest in the big bedroom? Mr. Wharton showed it to me. He used to regret that there was no woman nowadays with so small a waist and foot."
"'Great-great-grandmother come to life!' he exclaimed tenderly."
”
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen,  Miss Modernity (1924)

“ At which Elizabeth would be serenely amused. Elizabeth knew all about love; she had read quite a number of scientific works on the subject. Marriage she regarded as a pitiful survival of the Middle Ages, all very well, perhaps, for ordinary stupid women, but for anyone like herself or Connie——
"Falling in love," said Elizabeth, "is the last folly of an idle, ill-educated mind feebly searching for diversion, and marriage is the last refuge of all the women who are not any good for anything else."
”
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen,  Miss Modernity (1924)

“ Her friend, Connie Smeeton, firmly supported her in her attitude towards life, for Connie could never have been charming. If she had not been efficient, she would have been merely dull and perhaps disagreeable. She intended to be an engineer, and she was a little plain and more than a little dowdy.
Connie was always slightly apprehensive lest Elizabeth should, in some moment of aberration, spoil her career and betray her standard by marriage. "If only you don't fall in love——" she would say, with a sigh.
”
Source: Wikisource

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