Mark Twain,
The Prince and the Pauper
(1882, c1881)
“ But Tom Canty was not sorry; for this loyal uproar was sweeter music to him than any poetry, no matter what its quality might be. Whithersoever Tom turned his happy young face, the people recognized the exactness of his effigy's likeness to himself, the flesh and blood counterpart; and new whirlwinds of applause burst forth. The great pageant moved on, and still on, under one triumphal arch after another, and past a bewildering succession of spectacular and symbolical tableaux, each of which typified and exalted some virtue, or talent, or merit, of the little king's. ”

