Mary Hastings Bradley

Summary

Mary Hastings Bradley The Fortieth Door

Aimée, that frail white rose of a girl, in her bonds of terror....
He saw the flame in Aziza's eyes. He saw the stiffening of her defiance, of half-incredulous affront. Then, her form drawn up, her bared arms outflung, her vivid, painted, furious face challenging him. "I am not beautiful—like Aimée?" she said in a voice of venom, and in the English, for double measure, "You not like me—no?"
"You are beautiful and I do like you," Ryder combated, feeling a bungling fool. And then went on to thrust into that half-second of suspended fury, a faint breath of appeasing.
Source: Gutenberg

Mary Hastings Bradley The Fortieth Door

The horse' hoofs, trotting, trotting, the motion of the wheels, seemed to be the onbearing rush of fate itself. If she could only stop it! If she could only cry out, tear open the windows, scream to the passers by. She knew these were only the impotent visions of hysteria, but she indulged them pitifully.
She saw herself, in those moments, helpless, and hopeless, passing on into the slavery of this marriage—Aimée, no longer the daughter of Tewfick Pasha, but Aimée Delcassé, child of a dead Frenchman, inheritor of freedom, sold like any dancing girl....
Source: Gutenberg

Mary Hastings Bradley The Fortieth Door

Her glance about the room returned to him with mock plaintiveness. She shook her head as they spun lightly about a corner.
"Perhaps, monsieur, I have an unfortunate nose."
"My nerves are strong."
"But why afflict them?" Prankishly her eyes sparkled up at him over the black veil that made her a mystery. "Enjoy the present, monsieur!"
"Are you enjoying it?"
Her lashes dropped, like black butterflies. She was a changeling of a girl, veering from gayety to shyness.... Her gaze was now on her wrist watch, a slender blaze of platinum and diamonds.
Source: Gutenberg

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