Mary Hastings Bradley

Biographical details

Mary Hastings Bradley The Fortieth Door

Aimée, that frail white rose of a girl, in her bonds of terror....
He saw the flame in Aziza's eyes. He saw the stiffening of her defiance, of half-incredulous affront. Then, her form drawn up, her bared arms outflung, her vivid, painted, furious face challenging him. "I am not beautiful—like Aimée?" she said in a voice of venom, and in the English, for double measure, "You not like me—no?"
"You are beautiful and I do like you," Ryder combated, feeling a bungling fool. And then went on to thrust into that half-second of suspended fury, a faint breath of appeasing.
Source: Gutenberg

Mary Hastings Bradley The Innocent Adventuress

Already Julietta and Lucia and the Palazzo, even Papa and dear, dear Mamma, appeared strangely unreal—like a vanished spell—and only this night was real and this strange expectant stir in her.
And then she fell asleep and dreamed that Barry Elder was advancing to her across the long drawing-room of the Palazzo Santonini and as she turned to receive him Lucia stepped between, saying, "He is for me, instead of Paolo Tosti," and behold! Lucia's eyes were as blue as the sea and Lucia's hair was as golden as amber and her face was the face of the girl in the restaurant.
Source: Gutenberg

Mary Hastings Bradley The Palace of Darkened Windows

And still on their left there hung the hounding dots, like prowling jackals.
Anxiously Billy looked at Arlee. This was an ordeal of a ride that tried the stuff the girl was made of. She was no princess of mystery now, crossing the moonlit sands; she was no gossamer wraith of a girl miraculously with him for a time; she was a very hot and human companion, worried and tired, shutting her dry mouth over any word of complaint, smiling pluckily at him with dusty lips from the shrouding hood of her veil. She was completely and thoroughly a brick.
Source: Gutenberg

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