Mary Heaton Vorse

Mary Heaton Vorse

Summary

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Case of Frederick (1913)

Said Frederick, in a tone as bland as his mother's—"asses" in their vocabulary was a terrible simile—"If you wish to see a town full of asses, mother dear, go down and stand on the corner of Main Street."
"How so?" inquired his mother; she was easily drawn, poor lady.
Thus urged, Frederick mounted his hobby. Said he: "I call every one an ass who makes himself uncomfortable with clothes—every one. And as far as I can see, except for some working people, this means all of us. I say we're a nation of asses."
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Case of Frederick (1913)

Frederick, however, left the office and went to find Eleanor Paine, and went with her on an all-day walk in the country. It was a glittering, soul-uplifting day, such as one finds in New England in midwinter. For the moment Frederick felt as if he had been released from human bondage, and, having now his way to make in the world, he looked upon this moment as an auspicious one to offer himself in marriage to Eleanor. Being in that high mood in which the gods deny man nothing, he naturally was accepted.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Case of Frederick (1913)

Frederick had thrown himself into the business of love-making with such abandon that with deep instinct Ruth had realized that it would have been unkind to have been won too easily and that it was perfectly safe to play at the charming game of reluctance. Ruth played this part with a finished exquisiteness. And while all her impulse was to throw herself into Frederick's outstretched arms, instinct taught her not to; her dark and ardent eyes, therefore, proclaimed the things that her mouth denied.
Irrationally, young men expect young girls whom they love to hand out to them the mood they want.
Source: Wikisource

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