Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Window at the White Cat — VII. Concerning Margery (1910)

The kitchen was bright and clean; it was littered, however, with half-cut loaves of bread, glasses and empty bottles. Over the range a man in his shirt sleeves was giving his whole attention to a slice of ham, sizzling on a skillet, and at a table near-by a young fellow, with his hair cut in a barber's oval over the back of his neck, was spreading slices of bread and cheese with mustard.
"How are you, Mr. Mayor?" Hunter said, as he shed his raincoat. "This is Mr. Knox, the man who's engineering the Star-Eagle fight."
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Window at the White Cat — VII. Concerning Margery (1910)

If Wardrop took the pearls, I kept repeating over and over, if Wardrop took the pearls, who took Miss Jane?
I tried to forget the pearls, and to fathom the connection between Miss Maitland's disappearance and the absence of her brother-in-law. The scrap of paper, eleven twenty-two, must connect them, but how? A family scandal? Dismissed on the instant. There could be nothing that would touch the virginal remoteness of that little old lady. Insanity? Well, Miss Jane might have had a sudden aberration and wandered away, but that would leave Fleming out, and the paper dragged him in.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Window at the White Cat — VII. Concerning Margery (1910)

Miss Jane herself, and the solution of that mystery, solved the even more tragic one in which we were about to be involved. I say we, because it was borne in on me at about that time, that the things that concerned Margery Fleming must concern me henceforth, whether I willed it so or otherwise. For the first time in my life a woman's step on the stair was like no other sound in the world.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature