Mary Sturgeon

Summary

Mary Sturgeon Women of the Classics

We are caught in the onward sweep of the poet’s imagination, and moved by the intense human interest of the theme. It is only when the catastrophe comes, when Æneas, fleeing from Carthage in the cold dawn, sees the light of the queen’s funeral pyre reddening the sky, that we begin to reflect on the meaning of it. Even then, so complete is the victory of the poet’s art, our last thought is one of pity—for the indignant spirit of Dido that has fled to the House of Shadows; and for the miserable man no less, whom fate is driving to the coast of Italy.
Source: Gutenberg

Mary Sturgeon Women of the Classics

They have many charms, and they can sing sweetly to ease the heart from pain. They live a dainty and a joyous life, which he may share if he will; and which he does share for a time. They are more beautiful than Penelope; they have strange lore, and a knowledge of enchantments; they have, too, eternal youth and kinship with the immortals. But when all is said, they cannot compare with the dear human soul who is waiting for Odysseus in Ithaca; and this contrast the poet makes us clearly see, in the way in which Odysseus always turns with longing to the thought of Penelope.
Source: Gutenberg

Mary Sturgeon Women of the Classics

Clytemnestra, in exultation that she can hardly conceal, reassures him. In lines of exquisite poetic beauty, but weighted with a meaning that he does not see, she declares that this honour is his due; that it is a sacrifice for his return. Then, as Agamemnon passes within the palace, she remains for one instant outside. The fire of exultation dies away. She forgets the people standing round, the need for dissimulation, the danger of discovery. One thought sweeps everything else away—the thought of the stupendous deed that she is about to attempt, its horror and its peril.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature