Summary

Portrait of Matilda Betham-Edwards Matilda Betham-Edwards East of Paris: Sketches in the Gâtinais…

But the foremost, the crowning excellence of Fontainebleau forest consists in its variety. France itself, the “splendid hexagon,” with its mountains, rivers and plains, is hardly more varied than this vast area of rock and woodland. We can choose between sites, savage or idyllic, pastoral or grandiose, here finding a sunny glade, the very spot for a picnic, there break-neck declivities and gloomy chasms. The magnificent ruggedness of Alpine scenery is before our eyes, without the awfulness of snow-clad peaks or the blinding dazzle of glacier.
Source: Gutenberg

Portrait of Matilda Betham-Edwards Matilda Betham-Edwards East of Paris: Sketches in the Gâtinais…

Majestic is the panorama spread before our eyes as we pic-nic on the Puy de Dôme. More fondly still my memory clings to many a narrower perspective, the view of my beloved Dijon from its vine-clad hills or of Autun as approached from Pré Charmoy, to me, the so familiar home of the late Philip Gilbert Hamerton. If, however, the natural marvels of France, like those of any other country, can be catalogued, French scenery itself offers inexhaustible variety.
Source: Gutenberg

Portrait of Matilda Betham-Edwards Matilda Betham-Edwards East of Paris: Sketches in the Gâtinais…

There are certain sights and sounds not to be caught by hurried observers, evanescent aspects of cloud-land and tree-land, rock and undergrowth, passing notes of bird and insect, varied melodies, if we may so express it, of summer breeze and autumn wind—in fine, a dozen experiences enjoyed one day, not repeated on the next. The music of the forest is a quiet music and has to be listened for, hardly on the cyclist’s ear falls the song or rather accompaniment of the grasshopper, “the Muse of the wayside,” a French poet has so exquisitely apostrophized.
Source: Gutenberg

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