Summary

Portrait of Matilda Betham-Edwards Matilda Betham-Edwards The Roof of France; Or, the Causses of the Lozère

Little farmhouses are seen on either side, their ochre-coloured walls gleaming against the deep-blue sky—fig-trees in every garden, with peach-orchards beyond, showing the brilliant fruit. It is a bit of the East, only the blue-bloused peasant and the bare-headed, dignified country girls, wishing us 'Bonjour' as they pass, remind us that we are on French soil. There is no evidence here either of wealth or poverty; but the fruits of the earth, so laboriously cultivated, are equally shared by all. Everywhere we find cheerfulness, independence, and thrift.
Source: Gutenberg

Portrait of Matilda Betham-Edwards Matilda Betham-Edwards The Roof of France; Or, the Causses of the Lozère

Bright and strongly contrasted are the hues of the landscape—purply-black the far-off mountains, emerald-green the fields of rye and clover at their feet. A large portion of the land hereabouts is mere wilderness; yet the indomitable peasant wrenches up the boulders, cleans the ground of stones, and turns, inch by inch, the waste into productive soil. At every turn we are reminded of the dictum of 'that wise and honest traveller,' Arthur Young: 'The magic of property turns sands to gold.'
We are now in the region of the Causses; around us rise the spurs of Sauveterre and Sévérac.
Source: Gutenberg

Portrait of Matilda Betham-Edwards Matilda Betham-Edwards The Roof of France; Or, the Causses of the Lozère

If a French peasant is lazy, it is because he has no rent to pay; if a French peasant works too hard, it is because he owns a bit of land. If a cottage is untidy, it is because its occupants are not farm labourers in receipt of ten shillings a week; in fact, the possession of land—except in the hands of English squires—is the most impoverishing, demoralizing, satanic force imaginable, and the only way of turning modern France into a Utopia would be to clap every peasant proprietor alive into nice comfortable, well-conducted workhouses, after the English model.
Source: Gutenberg

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