Matthew Holbeche Bloxam

“ In the north aisle of the abbey church, Shrewsbury, are some remains of a stone shrine, which from the workmanship may be considered as a production of the early part of the fifteenth century: this is much mutilated: but the shrine of St. Frideswide, in Oxford Cathedral, the lower part of which is composed of a stone tomb, the upper part of rich tabernacle-work of wood, is still tolerably perfect: this is also of the fifteenth century. ”

“ Mere parochial churches have commonly a tower at the west end, a nave with lateral aisles, and a chancel. Some churches have transepts; and small side chapels or additional aisles have been annexed to many, erected at the costs of individuals, to serve for burial and as chantries. The smallest class of churches have a nave and chancel only, with a small bell-turret formed of wooden shingles, or an open arch of stonework, appearing above the roof at the west end. ”

“ The church of Brixworth, Northamptonshire, is perhaps the most complete specimen we have existing of an early Anglo-Saxon church: it has had [34] side aisles separated from the nave by semicircular arches constructed of Roman bricks, with wide joints; these arches spring from square and plain massive piers. There is also fair recorded evidence to support the inference that this church is a structure of the latter part of the seventh century. Roman bricks are worked up in the walls, in no regular order, however, but indiscriminately, as in the church at Dover Castle. ”

“ A. In comparison with the Norman style, with its heavy concomitants and enrichments, the style of the thirteenth century is light and simple, and the details possess much elegance of contour. These, in small buildings, are generally plain; but in large buildings they exhibit numerous mouldings, combined with a certain degree of decorative embellishment. This style is, however, far from presenting that extreme beauty of outline and tasteful conception, combined with the pure and chaste ornamental accessories, which prevail in the designs of the fourteenth century. ”

“ We sometimes meet with octagonal piers, as in the cathedrals of Oxford and Peterborough, the conventual church at Ely, and in the ruined church of Buildwas Abbey, Salop; and also, though rarely, with piers covered with spiral flutings, as one is in Norwich Cathedral; with the spiral cable moulding, as one is in the crypt of Canterbury Cathedral; and encircled with a spiral band, as one appears in the ruined chapel at Orford, in Suffolk; sometimes, also, they appear covered with ornamental mouldings. ”

“ The church chest is often an ancient and interesting object: sometimes we find it rudely formed, or hollowed out of the solid trunk of a tree, with a plain or barrel-shaped lid of considerable thickness. The churches of Bradford Abbas, Dorsetshire; Long Sutton, Somersetshire; and Ensham, Oxfordshire; contain chests thus rudely constructed. Sometimes they are strongly banded about with iron. The fronts and sides of these chests are not unfrequently embellished more or less richly with carved tracery, panel-work, and other detail in the style prevalent at the period of their construction. ”

“ Between the chancel and nave of Stanton Harcourt Church, Oxfordshire, is an early wooden screen in the style of the thirteenth century: the lower division is of plain panel-work, whilst the upper division consists of a series of open-pointed arches, trefoiled in the heads, and supported by slender cylindrical shafts with moulded bases and capitals, and an annulated moulding encircles each shaft midway up. ”

“ In Brixton Church, Isle of Wight, on some plain wooden panelling between the tower and a gallery at the west end are the remains of the royal arms, which, from the style in which they have been painted with the rose and thistle, appear coeval with the reign of James the First; they are surmounted by a crown, below which is an open six-barred helme. These arms appear to have been removed from their original position against the chancel-arch, and are now much mutilated. ”

“ The sloping bays or compartments of the roof are divided by rib mouldings into squares or parallelograms of panel-work, which are again often subdivided into similar-shaped panels by smaller ribs with carved bosses at the intersections. Some roofs are nearly flat, and simply panelled. On many roofs traces of painting and gilding may still be discerned, more especially in that part which was over an altar, and where the roof often bears indications of having been more ornamented than other parts. ”

“ In the Norman conventual church of Romsey plain stone benches of this description occur; they are likewise to be met with in Salisbury and other cathedrals; also in some of our ancient [163] parish churches, as in the south aisle of Kidlington Church, Oxfordshire. Seats for the use of the congregation are noticed in the synod of Exeter, held A. D. 1287. Open wooden benches or pew-work are rarely, if at all, met with of an earlier era than the fifteenth century, when the practice of pewing the body of the church with open wooden seats, if not then introduced, began to prevail. ”

“ Stanton-Harold Church, Leicestershire, erected A. D. 1653, is perhaps the latest complete specimen of the Debased Gothic style. Towards the end of this century Gothic mouldings appear not to have been understood, as in the attempt to reconstruct portions of churches in that style we find mouldings of classic art to prevail. Such is the case with respect to the tower of Eynesbury Church, St. Neot’s, Huntingdonshire, rebuilt in a kind of Debased Gothic and mixed Roman style, in 1687. ”

“ The original roofs of [96] most of our old churches, from their exposure to the weather, have long since fallen to decay, and been replaced by others of a more obtuse shape; but in general the height and angular form of the original roof may be ascertained by the weather moulding still remaining on the side of the tower or steeple. The interior vaulting of stone roofs was composed of fewer parts and ribs, which were often not more numerous than those of Norman vaulting, and does not present that complexity of arrangement which occurs in the vaulting-ribs of subsequent styles. ”

“ It is in some degree considered as a characteristic of the Anglo-Saxon and Norman styles. The stilted arch is chiefly found in conjunction with the semicircular arch in the construction of Norman vaulting over a space in plan that of a parallelogram. The segmental arch we meet with in almost all the styles, used as an arch of construction, and for doorway and window arches; whilst the form of the horse-shoe arch seems, in many instances, to have been occasioned by the settlement and inclination of the piers from which it springs. ”

“ A. The section of a pier, which is common in this style, may be described as formed from a square or parallelogram, with the angles fluted or cut in a bold hollow, and on the flat face of each side of the pier a semicylindrical shaft is attached. The flat faces or sides of the pier and the hollow mouldings at the angles are carried up vertically from the base moulding to the spring of the arch, and thence, without the interposition of any capital, in a continuous sweep to the apex of the arch ”

“ Nicholas at Leicester, which contains horizontal courses of brick at intervals, and arches constructed of brickwork; the curious portion of a wall of similar construction, with remains of brick arches on the one side, which indicate it to have formed part of a building, and not a mere wall as it now appears, at Wroxeter, Salop; and the polygonal tower at Dover Castle, which, notwithstanding an exterior casing of flint, and other alterations effected in the fifteenth century, still retains many visible features of its original construction of tufa bonded with bricks at intervals. ”

“ The credence table, or shelf above the piscina, must not be confounded with the ambrie or locker, a small square and plain recess usually contained in the east or north wall, near the altar. In this the chalice, paten, and other articles pertaining to the altar were kept when not in use. The wooden doors formerly affixed to these ambries have for the most part either fallen into decay or been removed, but traces of the hinges may be frequently perceived; and a locker in the north wall of the chancel of Aston Church, Northamptonshire, still retains the two-leaved wooden door. ”