Maurice Maeterlinck

Maurice Maeterlinck

Summary

Portrait of Maurice Maeterlinck Maurice Maeterlinck The Life of the Bee

Certain as it may seem that the bees communicate with each other, we know not whether this be done in human fashion. It is possible even that their own refrain may be inaudible to them: the murmur that comes to us heavily laden with perfume of honey, the ecstatic whisper of fairest summer days that the bee-keeper loves so well, the festival song of labour that rises and falls around the hive in the crystal of the hour, and might almost be the chant of the eager flowers, hymn of their gladness and echo of their soft fragrance, the voice of the white carnations, the marjoram, and the thyme.
Source: Gutenberg

Portrait of Maurice Maeterlinck Maurice Maeterlinck The Life of the Bee

The habits, the passions, that we regard as inherent in the bee, will all be lacking in her. She will not crave for air, or the light of the sun; she will die without even once having tasted a flower. Her existence will pass in the shadow, in the midst of a restless throng; her sole occupation the indefatigable search for cradles that she must fill. On the other hand she alone will know the disquiet of love. Not even twice, it may be, in her life shall she look on the light—for the departure of the swarm is by no means inevitable
Source: Gutenberg

Portrait of Maurice Maeterlinck Maurice Maeterlinck The Life of the Bee (1904)

The friend whom we meet, the woman who approaches and smiles, the love that, unlocks our heart, the death or sorrow that seals it, the September sky above us, this superb and delightful garden, wherein we see, as in Corneille's 'Psyche,' bowers of greenery resting on gilded statues, and the flocks grazing yonder, with their shepherd asleep, and the last houses of the village, and the sea between the trees,—all these are raised or degraded before they enter within us, are adorned or despoiled, in accordance with the little signal this choice of ours makes to them.
Source: Wikisource

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