Meredith Nicholson

Meredith Nicholson

Summary

Portrait of Meredith Nicholson Meredith Nicholson The hope of happiness (1923)

Glancing back at the house as Henderson drove away, Bruce was aware of the irony of his very presence in the town, sent there by the whim of a dying woman to be prepared to aid a man who in no imaginable circumstances could ever require any help it might be in his power to give. His mother had said that she had kept some track of Mills’s life; she could never have realized that he was so secure from any possibility of need. As Bruce thought of it, Henderson had not limned an attractive portrait.
Source: Gutenberg

Portrait of Meredith Nicholson Meredith Nicholson The hope of happiness (1923)

He rang for the car before going downstairs, and while he was waiting for the chauffeur to answer on the garage extension of the house telephone, Bruce, from the fireplace, saw that it must have been a portrait—one of a number ranged along the wall—that had invited Mills’s gaze so frequently. It was the portrait of a young man, the work of a painstaking if not a brilliant artist. The clean-shaven face, the long, thick, curly brown hair, and the flowing scarf knotted under a high turn-over collar combined in an effect of quaintness.
Source: Gutenberg

Portrait of Meredith Nicholson Meredith Nicholson The hope of happiness (1923)

The thing has got too common; it’s taken away all the sanctity of marriage! And that I should welcome as a husband for a young girl like you a man who has had another wife—a woman who’s still living—keeping his name, I understand—I tell you, Leila, it won’t do! It’s my duty to protect you from such a thing. I have wanted you to take a high position in this community—such a position as your mother held; and can you imagine yourself doing it as the second wife of a man who’s not of our circle, not our kind at all?
Source: Gutenberg

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