Milicent Washburn Shinn

Milicent Washburn Shinn

Summary

Portrait of Milicent Washburn Shinn Milicent Washburn Shinn The biography of a baby (1900)

The breathing automaton had become an eager and joyous little being, seeing and hearing and feeling much as we do, knowing her own body somewhat, and controlling it throughout to a certain extent, laughing and frolicking, enjoying the vision of the world with a delicious zest, clinging to us not so much for physical protection as for human companionship, beginning to show a glimmer of intelligence, and to cross over with sign and sound the abyss between spirit and spirit.
Source: Gutenberg

Portrait of Milicent Washburn Shinn Milicent Washburn Shinn The biography of a baby (1900)

I have said that the baby began the world as an automaton, but a conscious, feeling automaton. And what, then, were these feelings and this consciousness? What was the outfit for beginning the world that the little mind brought with it? When I asked such questions I was skirting the edge of one of the great battle-grounds of philosophy. Whether all human ideas are made up solely from one’s own experience of the outer world as given him by his senses, or whether there are, on the contrary, inborn ideas, implanted directly by nature or God,—this is a question on which volumes have been written.
Source: Gutenberg

Portrait of Milicent Washburn Shinn Milicent Washburn Shinn The biography of a baby (1900)

All this time the baby had had a daily source of placid pleasure in listening to chords on the piano—no longer heavy staccato [92] chords, but flowing ones, in the middle octaves. The baby of theory cares for nothing but eating and sleeping; but our baby, even after she was already fretting with hunger, would forget all about it for ten minutes, if one would take her to the piano. Hunger, after it grew really strong, was a sensation that swept all before it; but on the whole, food was a matter of small interest compared with the world of light and touch and sound.
Source: Gutenberg

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