Miller Christy ‎

Summary

Miller Christy ‎ The Trade Signs of Essex

Until about forty years ago there stood beside the main road to Colchester, just outside the parish of Kelvedon, an inn known as the Sun. It is still a curious old house, worthy of notice from the passer-by, but up to the date named it, and even the furniture it contained, exhibited all the characteristics of a sixteenth century house. Its carved woodwork, however, was sold and afterwards accidentally burned and its furniture scattered. The pictorial sign-board of the Rising Sun at Castle Hedingham is very grotesque.
Source: Gutenberg

Miller Christy ‎ The Trade Signs of Essex

Clearly the origin of the sign of the King’s Arms had never presented itself to the mind of the “simple clodhopper” who, according to Messrs. Larwood and Hotten (p. 106) , “once walked many miles to see King George IV. on one of his journeys, and came home mightily disgusted; for the king had arms just like any other man, while he had always understood that his Majesty’s right arm was a lion, and his left a unicorn!” In Essex no less than 8·5 per cent. of all the inn-signs are “Arms” of some kind. In Devonshire “Arms” actually form as much as 22 per cent.
Source: Gutenberg

Miller Christy ‎ The Trade Signs of Essex

It may be truly said that the great spread of education among all classes during the present century has given a death-blow alike to the use of signs in trade and to the art of the sign-painter. This, to be sure, is hardly a matter to call for regret on its own account. Nevertheless, the great decline in the use of{4} the old-fashioned pictorial sign-board is to be regretted for many reasons. The signs which our forefathers made use of have interwoven themselves with our whole domestic, and even, to some extent, with our political, history.
Source: Gutenberg

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