Summary

Portrait of Charles G. Harper Charles G. Harper The Old Inns of Old England, Volume 2…

There are two evil fates constantly threatening the artistic work of our forbears: the one the unappreciative neglect that threatens its very existence, and the other the appreciation that, only too appreciative, tears it from its accustomed place, to be the apple of some collector’s jealous eye. To filch from old inn or manor-house, down on its luck, the carved overmantels or panelling built into the place is as mean and despicable a thing as to sneak the coppers out of a blind beggar’s tin mug—nay, almost as sacrilegious as to purloin the contents of the offertory-bag
Source: Gutenberg

Portrait of Charles G. Harper Charles G. Harper The Old Inns of Old England, Volume 2…

At an inn styled the “George” you do expect, more than at any other sign, to find old-fashioned comfort; and here, at that little forgotten townlet of Odiham, lying secluded away back from the Exeter Road, with its one extravagantly broad and singularly empty street, and no historic memories much later than the reign of King John, you have a typical cheery hostelry whose white frontage looks coaching age incarnated, and whose interior surprises you—as often these old houses do—with oaken beams and Elizabethan panelled coffee-room and Jacobean overmantel.
Source: Gutenberg

Portrait of Charles G. Harper Charles G. Harper The Old Inns of Old England, Volume 2…

Just as most cathedrals, and many ancient churches, are in these days unconsciously looked upon by antiquaries rather as museums than as places of worship, so many ancient inns attract the tourist and the artist less as places for rest and refreshment than subjects for the pencil, the brush, or the camera; or as houses where relics, curious or beautiful, remain, of bygone people, or other times. Happy the traveller, with a warm corner in his heart for such things, who comes at the close of day to a house historic or well stored with such links that connect us with the past.
Source: Gutenberg

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