James John Hissey

Summary

James John Hissey Over Fen and Wold

Driving on we soon reached a wide dyke, which we crossed on an ancient bridge; here a lonely wayside inn proclaimed itself on its sign with the comprehensive title of “The Angler’s, Cyclist’s, and Traveller’s Rest.” The dyke struck us, even on that bright sunshiny day, as being a dark and dreary stretch of water of a cheerless leaden hue, embanked and treeless. But the sullen waters of the dyke only acted as a foil to enhance the bright beauty of the sun-suffused landscape all around, as the shadow gives value to the light, and too much beauty is apt to cloy.
Source: Gutenberg

James John Hissey Over Fen and Wold

It is not the height one may be above a scene that gives the observer therefrom the best impression of it; indeed one may easily be elevated too far above scenery to appreciate it properly. A bird’s-eye view of a landscape is not the one an artist would select to paint; there is such a thing as a picturesque and an unpicturesque way of looking on an object. Sometimes, truly, scenery has been painted as a bird sees it, for the sake of novelty; but novelty is not synonymous with beauty: they may join hands at times, but as a rule they are utter strangers one to another.
Source: Gutenberg

James John Hissey Over Fen and Wold

A peace that is not of our time broods incumbent over it, a tranquillity that has been handed down unimpaired from ages past lingers lovingly around.
On one side of the little-travelled road and a trifle back therefrom stands the rambling rectory, with its home-like, yellow-washed walls, and ridged{317} and red-tiled roof; on the other stands the ancient church hoary with age; while just beyond the rectory is a quaint old manor house, or grange, formerly moated and now half buried in trees—and this is Somersby. A spot worthy of being the birthplace of a great poet, “a haunt of ancient peace.”
Source: Gutenberg

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