Summary

Modern Eloquence: Vol II, After-Dinner Speeches E-O

Gentlemen, in a newspaper, at a glance, you are in touch with the elemental forces of nature—war, pestilence and famine; you are transported by this printed sheet, as it were the fairy carpet of the Arabian, from capital to capital, from the exultation of one people to the bitter resentment and chagrin of another. You behold on every scale every quality of humanity, everything that piques the sense of mystery, everything that inspires pity, dread, or anger. It is a vast and ever-changing panorama of the raw material of art and literature.
Source: Gutenberg

Modern Eloquence: Vol II, After-Dinner Speeches E-O

I am also satisfied that the greatest music is the most marvellous mingling of Love and Death. Love is the greatest of all passions, and Death is its shadow. Death gets all its terror from Love, and Love gets its intensity, its radiance, its glory and its rapture from the darkness of Death. Love is a flower that grows on the edge of the grave.
The old music, for the most part, expresses emotion, or feeling, through time and emphasis, and what is known as melody. Most of the old operas consist of a few melodies connected by unmeaning recitative. There should be no unmeaning music.
Source: Gutenberg

Modern Eloquence: Vol II, After-Dinner Speeches E-O

It will, ere long, from the staff on Havana's Morro, cast its shadow on the sunken and twisted frame of the Maine—a grim reminder of the vengeance that awaits any nation that lays unholy hands on an American citizen or violates any sacred American right. It has drawn from an admiring world unstinted applause for the invincible army, that under tropic suns, despite privations and disease, untrained but undismayed, has swept out of their own trenches and routed from their own battlements, like chaff before the wind, the trained forces of a formidable power.
Source: Gutenberg

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