Nathaniel Hawthorne

Nathaniel Hawthorne

Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Tanglewood Tales — The Wayside (1853)

When the first poet or romancer told these marvellous legends (such is Eustace Bright's opinion) , it was still the Golden Age. Evil had never yet existed; and sorrow, misfortune, crime, were mere shadows which the mind fancifully created for itself, as a shelter against too sunny realities; or, at most, but prophetic dreams to which the dreamer himself did not yield a waking credence. Children are now the only representatives of the men and women of that happy era
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Tanglewood Tales — The Wayside (1853)

But Eustace told me that these myths were the most singular things in the world, and that he was invariably astonished, whenever he began to relate one, by the readiness with which it adapted itself to the childish purity of his auditors. The objectionable characteristics seem to be a parasitical growth, having no essential connection with the original fable. They fall away, and are thought of no more, the instant he puts his imagination in sympathy with the innocent little circle, whose wide-open eyes are fixed so eagerly upon him.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Tanglewood Tales — The Wayside (1853)

Primrose is now almost a young lady, and, Eustace tells me, is just as saucy as ever. She pretends to consider herself quite beyond the age to be interested by such idle stories as these; but, for all that, whenever a story is to be told, Primrose never fails to be one of the listeners, and to make fun of it when finished. Periwinkle is very much grown, and is expected to shut up her baby house and throw away her doll in a month or two more.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature