Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — Scenes by the Way (1860)

So many words are not uttered in a New England village throughout the year--except it be at a political canvass or town-meeting--as are spoken here, with no especial purpose, in a single day. Neither so many words, nor so much laughter; for people talk about nothing as if they were terribly in earnest, and make merry at nothing as if it were the best of all possible jokes. In so long a time as they have existed, and within such narrow precincts, these little walled towns are brought into a closeness of society that makes them but a larger household.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — Scenes by the Way (1860)

The dark and half ruinous habitations, with their small windows, many of which are drearily closed with wooden shutters, are but magnified hovels, piled story upon story, and squalid with the grime that successive ages have left behind them. It would be a hideous scene to contemplate in a rainy day, or when no human life pervaded it. In the summer noon, however, it possesses vivacity enough to keep itself cheerful; for all the within-doors of the village then bubbles over upon the flagstones, or looks out from the small windows, and from here and there a balcony.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — Scenes by the Way (1860)

Nothing can exceed the grim ugliness of the houses, most of which are three or four stories high, stone built, gray, dilapidated, or half-covered with plaster in patches, and contiguous all along from end to end of the town. Nature, in the shape of tree, shrub, or grassy sidewalk, is as much shut out from the one street of the rustic village as from the heart of any swarming city.
Source: Wikisource

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