O. Henry

O. Henry

Summary

Portrait of O. Henry O. Henry Rolling Stones

When the story is printed you will admire the breathless scene where Van Sweller checks the headlong team. And then he looks into Amy Ffolliott’s eyes and sees two things—the possibilities of a happiness he has long sought, and a nascent promise of it. He is unknown to her; but he stands in her sight illuminated by the hero’s potent glory, she his and he hers by all the golden, fond, unreasonable laws of love and light literature.
Source: Gutenberg

Portrait of O. Henry O. Henry Rolling Stones

All at once out of dark bushes comes a pop like a firecracker, and John Tom gives a grunt and digs out of his bosom a little bullet that has dented itself against his collar-bone. John Tom makes a dive in the direction of the fireworks, and comes back dragging by the collar a kid about nine or ten years young, in a velveteen suit, with a little nickel-mounted rifle in his hand about as big as a fountain-pen.
“‘Here, you pappoose,’ says John Tom, ‘what are you gunning for with that howitzer? You might hit somebody in the eye. Come out, Jeff, and mind the steak.
Source: Gutenberg

Portrait of O. Henry O. Henry Rolling Stones

That is a fine scene—the swaying victoria, the impetuous, daft horses plunging through the line of scattering vehicles, the driver stupidly holding his broken reins, and the ivory-white face of Amy Ffolliott, as she clings desperately with each slender hand. Fear has come and gone: it has left her expression pensive and just a little pleading, for life is not so bitter.
And then the clatter and swoop of Mounted Policeman Van Sweller! Oh, it was—but the story has not yet been printed.
Source: Gutenberg

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