Summary

Portrait of Octave Thanet Octave Thanet Stories of a Western Town

Nobody guessed what a blow it was to Kurt when, a year ago, the elder Lossing had died. Even his wife did not connect his sullen melancholy and his gibes at the younger generation, with the crape on Harry Lossing's hat. He would not go to the funeral, but worked savagely, all alone by himself, in the shop, the whole afternoon—breaking down at last at the sight of a carved panel over which Lossing and he had once disputed. The desolate loneliness of the old came to him when his old master was gone. He loved the young man, but the old man was of his own generation
Source: Gutenberg

Portrait of Octave Thanet Octave Thanet Stories of a Western Town

Thirty years ago he had first taken wages from the senior Lossing. He had watched a modest industry climb up to a great business, nor was he all at sea in his own estimate of his share in the firm's success. Lieders's workmanship had an honesty, an infinite patience of detail, a daring skill of design that came to be sought and commanded its own price. The Lossing “art furniture” did not slander the name. No sculptor ever wrought his soul into marble with a more unflinching conscience or a purer joy in his work than this wood-carver dreaming over sideboards and bedsteads.
Source: Gutenberg

Portrait of Octave Thanet Octave Thanet Stories of a Western Town

Armorer saw a tall, athletic, fair young man, very carefully, almost foppishly dressed, with bright, steady blue eyes and a firm chin, but a smile under his mustache like a child's; it was so sunny and so quick. Harry saw a neat little figure in a perfectly fitting gray check travelling suit, with a rose in the buttonhole of the coat lapel. Armorer wore no jewellery except a gold ring on the little finger of his right hand, from which he had taken the glove the better to write. Harry knew that it was his dead wife's wedding-ring; and noticed it with a little moving of the heart.
Source: Gutenberg

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