Oliver Onions

Oliver Onions

Summary

Portrait of Oliver Onions Oliver Onions,  Widdershins

“ Perhaps the mildness of the spring air operated on its torpid old timbers; perhaps Oleron's fires caused it to stretch its old anatomy; and certainly a whole world of insect life bored and burrowed in its baulks and joists. At any rate, Oleron had only to sit quiet in his chair and to wait for a minute or two in order to become aware of such a change in the auditory scale as comes upon a man who, conceiving the midsummer woods to be motionless and still, all at once finds his ear sharpened to the crepitation of a myriad insects. ”
Source: Gutenberg

Portrait of Oliver Onions Oliver Onions,  Widdershins

“ Romarin had sought in his recital to minimise differences in circumstances; but Marsden seemed bent on aggravating them. He had the miserable advantage of the man who has nothing to lose. And bit by bit, Romarin had begun to realise that he was going considerably more than halfway to meet this old enemy of his, and that amity seemed as far on as ever. In his heart he began to feel the foreknowledge that their meeting could have no conclusion. He hated the man, the look of his face and the sound of his voice, as much as ever. ”
Source: Gutenberg

Portrait of Oliver Onions Oliver Onions,  Widdershins

“ It had last come some minutes ago; it came again now—a sort of soft sweeping rustle that seemed to hold an almost inaudibly minute crackling. For half a minute or so it had Oleron's attention; then his heavy thoughts were of Elsie Bengough again.
He was nearer to loving her in that moment than he had ever been. He thought how to some men their loved ones were but the dearer for those poor mortal blemishes that tell us we are but sojourners on earth, with a common fate not far distant that makes it hardly worth while to do anything but love for the time remaining.
”
Source: Gutenberg

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