Onoto Watanna

Onoto Watanna

Summary

Portrait of Onoto Watanna Onoto Watanna,  Sunny-San

“ If trouble comes to her own life, to so exercise self-control that no trace of her inner distress must be reflected in her looks or conduct. She must, in fact, make a science of her profession. To laugh with those who laugh and weep with those who find a balm in tears—that is the work of the geisha.
Sunny, a product of the geisha house, and herself apprentice to the joy women of Japan, was of another race by blood, yet always there was to cling to her that intangible charm, that like a strange perfume bespeaks the geisha of Japan.
”
Source: Gutenberg

Portrait of Onoto Watanna Onoto Watanna,  Sunny-San

“ The charming, laughing, pretty days in the shelter of the studio of her friend had passed into this nightmare of the Sixth Avenue noise, where all seemed ugly, cruel and sinister. Life in America was not the charming kindly thing Sunny had supposed. Beauty indeed she had brought in her heart with her, and that, though she knew it not, was why she had seen only the beautiful; but now, even for her, it had all changed. She had looked into faces full of hatred and malice; she had listened to words that whipped worse than the lash of Hirata. ”
Source: Gutenberg

Portrait of Onoto Watanna Onoto Watanna,  Sunny-San

“ But Sunny! His own flesh and blood, the child whose hair had suggested her name. Despite the galloping years she persisted ever in his memory. He thought of her constantly, of her strange little ways, her pretty coaxing ways, her smile, her charming love of the little live things, her perception of beauty, her closeness to nature. There was a quality of psychic sweetness about her, something rare and delicate that appealed to the epicure as exquisite and above all price. It was not his gold that had purchased Sunny. She was a gift of the gods and his memory of his child contained no flaw. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature