Summary

Portrait of Onoto Watanna Onoto Watanna The Wooing of Wistaria

Keiki sighed with the moodiness of love attained. A gentle depression stole from him to the Lady Wistaria.
“Alas! my lord,” she murmured; “it is so with all things in life that are beautiful. They vanish and die like the flowers of summer.”
“Then,” said Keiki, “swear by the god of the sea, by whose waters we now stand, that our love shall never die, and that for the time of this life, and the next, and as many after as may come, you will be my flower wife, and take me for your husband.”
“By all the eight million gods of heaven, and by the god of the sea, I swear,” said Wistaria.
Source: Gutenberg

Portrait of Onoto Watanna Onoto Watanna The Wooing of Wistaria

Sir Genji’s brows contracted. Ever since he had followed her to the old Catzu palace, when she was a tiny, bewitching little creature of five, with laughing lips and shining eyes, a flower ornament tumbling down the side of her hair and a miniature kimono tied about with a purple obi, she had been his favorite. He could scarcely believe it possible that any one could be cruel to this beautiful young girl. His looks just then bode ill for any one who should cause her pain. Nevertheless, for many days now the young girl’s chamber had been not unlike that of an inquisitorial prison.
Source: Gutenberg

Portrait of Onoto Watanna Onoto Watanna The Wooing of Wistaria

He stood waiting beneath a flowered casement, waiting in a silence pregnant with inward feeling. Not a sound stirred about him; the birds had dropped to sleep again; but the glory of the sun had deepened and spread its full radiance upon the casement. Then very slowly a maiden’s face, like a picture of the sun-goddess with the halo of the sun about it, grew into the vision, until gradually the dream-eyes of the Prince Keiki saw naught else save that haunting spiritual face, with its eyes laden with love and still suffused with unutterable sadness.
Source: Gutenberg

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