Summary

Portrait of Ovid Ovid Ars Amatoria: The Art of Love

Choose, too, the moment when your charmer is smarting from the insult of a rival; make her see in you a means of wiping off the score. When, in the morning, she is doing her mistress's hair, let the maid foment her anger, let her press on with sail and oar and, sighing, murmur, "Why not, Madam, pay him out in his own coin?" Then let her talk of you; let her adroitly sing your praises and swear that you, poor fellow, are wildly in love with her. But don't lose any time, for fear the wind should drop and the sails hang limp. Fragile as ice, a woman's anger is a transient thing.
Source: Wikisource

Portrait of Ovid Ovid Ars Amatoria: The Art of Love

Never did the shrine of Phœbus Apollo, never did Jupiter Ammon, deliver surer oracles than the sayings chanted by my Muse. If the art which I so long have practised has aught of worth in it, then list to me; my words will not deceive you. So, then, my dear ones, feel the pleasure in the very marrow of your bones; share it fairly with your lover, say pleasant, naughty things the while. And if Nature has withheld from you the sensation of pleasure, then teach your lips to lie and say you feel it all. Unhappy is the woman who feels no answering thrill.
Source: Wikisource

Portrait of Ovid Ovid Ars Amatoria: The Art of Love

Ali, my fair ones, look with indulgent eye on those that give themselves a lover's airs; the love, now feigned, will soon be love indeed.
By subtle flatteries you may be able to steal into her heart, even as the river insensibly o’erflows the banks which fringe it. Never cease to sing the praises of her face, her hair, her taper fingers and her dainty foot. The coldest beauty is moved by praises of her charms, and
even the innocent and greenest girl takes pride and pleasure in the care of her good looks.
Source: Wikisource

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