Philip José Farmer

Philip José Farmer

Daughter (1953)

Summary

Portrait of Philip José Farmer Philip José Farmer Daughter (1953)

When I found out what they were doing, my nerves quivered. Both had built shells! One was glass; the other, cellulose!
"What do you think you're doing? Aren't you afraid of the olfway?"
"Pulse away, old grouch. Nothing's the matter with us. We're just ready for winter and mating-heat, that's all. We'll be Mothers, then, and you'll still be growing your big old shell. Where'll your prestige be? The others won't even pulse with you 'cause you'll still be a virgin and a half-shelled one at that!"
Source: Gutenberg

Portrait of Philip José Farmer Philip José Farmer Daughter (1953)

I want to pause here and explain that the boulder was my idea, not Father's. Yet I must add that it was Father, not Mother, who started me thinking original thoughts. I know it quivers all your nerves to think that a mere mobile, good for nothing but food and mating, could not only be semantic but could have a higher degree of semanticism.
Source: Gutenberg

Portrait of Philip José Farmer Philip José Farmer Daughter (1953)

I was still soft and naked and helpless, an evergrowing mass of quivering flesh, a ready prey to any meat-eating mobile that found me. I was a fool and a gambler. Nevertheless, I took my leisure and sunk my tendrils and located ore and sucked up iron in suspension and built an inner shell larger, I think, than Grandmother's. Then I laid a thick sheath of copper over that, so the iron wouldn't rust. Over that I grew a layer of bone made out of calcium I'd extracted from the rocks thereabouts. Nor did I bother, as my sisters had done, to resorb my virgin's stalk and grow an adult one.
Source: Gutenberg

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