Summary

Pneu Michelin,  Rheims and the Battles for its Possession

“ Remi Church
Between its two towers, this gabled façade, the recesses and blind arcading of which form almost its sole decoration, is in strong contrast with the principal façade of the Cathedral. At once elegant and severe, like most of the monastic buildings of the 12th century, it lacks unity. All that part situated above the five windows of the first storey, including the rose-window, has been rebuilt in modern times. The very simple rose-window, between two lines of superimposed arcading, is protected, in the Champagne style, by a relieving-arch.
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Source: Gutenberg

Pneu Michelin,  Rheims and the Battles for its Possession

“ The Choir (See the Chevet, p. 46.)
The ambulatory with its radiating chapels is of incomparable beauty. Excepting the larger central chapel, known as the Chapel of the Holy Sacrament, which is nine-sided, each chapel has seven sides rising from a circular floor.
In each chapel, three windows similar to those of the nave, light the three hindmost walls. Blind windows imitate the true ones on the side walls.
At the base of the windows a narrow gallery, passing through the pillars, continues all along the side-aisles of the transept and nave—a peculiarity in Champagne architecture.
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Source: Gutenberg

Pneu Michelin,  Rheims and the Battles for its Possession

“ Remi, with its gold filagree work, six rows of chasing, and precious stones set in a collier, is a remarkable work of art. It was in this chalice that, by special privilege, the kings of France communicated in wine at the conclusion of their consecration. Tradition has it that the gold [59] of which it is made was that of the Soissons Vase, whereas in reality it is 12th century. ”
Source: Gutenberg

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