Richard Harding Davis

Richard Harding Davis

Summary

Portrait of Richard Harding Davis Richard Harding Davis Van Bibber and Others — Eleanore Cuyler (1892)

As for Van Bibber, he knew his friend too well to wait for him, and occupied a box at the People's Theatre in solitary state, and from its depths gurgled with delight whenever the Boy Actor escaped being run over by a real locomotive, or in turn rescued the stout heroine from six red shirted cowboys. There were quite as many sudden deaths and lofty sentiments as he had expected, and he left the theatre with the pleased satisfaction of an evening well spent and with a pitying sympathy for Travers who had missed it.
Source: Wikisource

Portrait of Richard Harding Davis Richard Harding Davis Van Bibber and Others — Eleanore Cuyler (1892)

It was a month after this, simultaneously with the announcements by cable of the instant success in London of "A Western Idyl," that Miss Cuyler retired from the world she knew, and disappeared into darkest New York by the way of Rivington Street. She had discovered one morning that she was not ill nor run down nor overtaxed, but just mentally tired of all things, and that what she needed was change of air and environment, and unselfish work for the good of others, and less thought of herself.
Source: Wikisource

Portrait of Richard Harding Davis Richard Harding Davis Van Bibber and Others — Eleanore Cuyler (1892)

He could see the glow of the elevated station at Allen Street, and it seemed fully a half-mile away. Save for the girl and the groaning fool on the stoop, and the three figures closing in on him, he was quite alone. The foremost of the three men stopped running, and came up briskly with his finger held interrogatively in front of him. He stopped when it was within a foot of Van Bibber's face.
"Are you looking for a fight?" he asked.
There was enough of the element of the sport in Van Bibber to enable him to recognize the same element in the young man before him.
Source: Wikisource

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