Summary

Portrait of Richard Jefferies Richard Jefferies World's End: A Story in Three Books

That was the happiest autumn Aymer ever knew. Even now he looks back at its sweetness with a species of regret. The sunshine was warmer, the blue of the sky richer, the yellow mist that hung over the landscape softer, the bee went by with a joyous hum, the crimson-and-gold of the dying leaves was more brilliant than ever it had been before or since. Love lent his palette to Nature, and the world was aglow with colour. How delicious it is to see everything through the medium, and in the company of a noble girl just ripening into womanhood!
Source: Gutenberg

Portrait of Richard Jefferies Richard Jefferies World's End: A Story in Three Books

Ambitious as she was, and possessed of that species of beauty which always takes with the multitude, Lucia had hitherto been a failure. Just as in literature and in art, the greatest genius has to wait till opportunity offers, and often eats its own heart in the misery of waiting, so she had striven and fought to get to the front, and yet was still a stroller when Sternhold saw her. She knew that if only once she could have made her appearance on the London boards, with her gorgeous beauty fully displayed, and assisted by dress and music, that she should certainly triumph.
Source: Gutenberg

Portrait of Richard Jefferies Richard Jefferies World's End: A Story in Three Books

The dog Dando had followed her unchidden. He alone of all that had pertained to Aymer and Violet, Agnes had retained. He knew the old path so well. He crouched so still at the foot of the great oak trunk. So quietly, so heedlessly, taking no heed of the figure, the shadow that stole onward in the dark beneath the beech trees—stole forward from trunk to trunk, from bunch of fern to hawthorn bush.
A grey shadow in the form of a man—a crouching, stealthy, gliding approach—yet the dog Dando made no sign. And Agnes stood with arms extended almost over the mouth of “The Pot.”
Source: Gutenberg

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