Robert Herrick

“ If Dorset say what Herrick writes is good?
We know y'are learn'd i' th' Muses, and no less
In our state-sanctions, deep or bottomless.
Whose smile can make a poet, and your glance
Dash all bad poems out of countenance;
So that an author needs no other bays
For coronation than your only praise,
And no one mischief greater than your frown
To null his numbers, and to blast his crown.
Few live the life immortal. ”

“ Nor are thine ears so deaf but thou canst hear,
Far more with wonder than with fear,
Fame tell of states, of countries, courts, and kings,
And believe there be such things:
When of these truths thy happier knowledge lies
More in thine ears than in thine eyes.
And when thou hear'st by that too true report
Vice rules the most or all at court,
Thy pious wishes are, though thou not there,
Virtue had, and mov'd her sphere.
But thou liv'st fearless; and thy face ne'er shows
Fortune when she comes or goes,
But with thy equal thoughts prepared dost stand,
To take her by the either hand ”

“ HERRICK.
Life of my life, 'take not so soon thy flight,
But stay the time till we have bade good-night.
Thou hast both wind and tide with thee; thy way
As soon despatch'd is by the night as day.
Let us not then so rudely henceforth go
Till we have wept, kissed, sigh'd, shook hands, or so.
There's pain in parting, and a kind of hell,
When once true lovers take their last farewell.
What! shall we two our endless leaves take here
Without a sad look or a solemn tear?
He knows not love that hath not this truth proved,
Love is most loth to leave the thing beloved. ”

“ TO HIS PECULIAR FRIEND, MR. THOMAS
SHAPCOTT, LAWYER.
I've paid thee what I promis'd; that's not all;
Besides I give thee here a verse that shall
(When hence thy circummortal part is gone) ,
Arch-like, hold up thy name's inscription.
Brave men can't die, whose candid actions are
Writ in the poet's endless calendar:
Whose vellum and whose volume is the sky,
And the pure stars the praising poetry. ”

“ The sturdy student who tackles his Herrick as a schoolboy is expected to tackle his Horace, in a spirit of pertinacious and stolid straightforwardness, will probably find himself before long so nauseated by the incessant inhalation of spices and flowers, condiments and kisses, that if a musk-rat had run over the page it could hardly be less endurable to the physical than it is to the spiritual stomach. The fantastic and the brutal blemishes which deform and deface the loveliness of his incomparable genius are hardly so damaging to his fame as his general monotony of matter and of manner. ”

“ With soft-smooth virgins for our chaste disport,
To Richmond, Kingston, and to Hampton Court.
Never again shall I with finny oar
Put from, or draw unto the faithful shore:
And landing here, or safely landing there,
Make way to my beloved Westminster,
Or to the golden Cheapside, where the earth
Of Julia Herrick gave to me my birth.
May all clean nymphs and curious water-dames
With swan-like state float up and down thy streams:
No drought upon thy wanton waters fall
To make them lean and languishing at all. ”

“ Or else, sweet nymphs, do you but this,
To th' glass your lips incline;
And I shall see by that one kiss
The water turn'd to wine.
496. TO HIS HONOURED KINSMAN, SIR
RICHARD STONE.
To this white temple of my heroes here,
Beset with stately figures everywhere
Of such rare saintships, who did here consume
Their lives in sweets, and left in death perfume,
Come, thou brave man! And bring with thee a stone
Unto thine own edification.
High are these statues here, besides no less
Strong than the heavens for everlastingness:
Where build aloft ”

“ We have only to remember how rare it is to find a perfect song, good to read and good to sing, combining the merits of Coleridge and Shelley with the capabilities of Tommy Moore and Haynes Bayly, to appreciate the unique and unapproachable excellence of Herrick. The lyrist who wished to be a butterfly, the lyrist who fled or flew to a lone vale at the hour (whatever hour it may be) "when stars are weeping," have left behind them such stuff as may be sung, but certainly cannot be read and endured by any one with an ear for verse. ”

“ Thee and thine altars empty.
947. TO HIS HONOURED AND MOST INGENIOUS
FRIEND, MR. CHARLES COTTON.
For brave comportment, wit without offence,
Words fully flowing, yet of influence:
Thou art that man of men, the man alone,
Worthy the public admiration:
Who with thine own eyes read'st what we do write,
And giv'st our numbers euphony and weight;
Tell'st when a verse springs high, how understood
To be, or not, born of the royal blood.
What state above, what symmetry below,
Lines have, or should have, thou the best can'st show. ”

“ A PARANÆTICALL, OR ADVISIVE VERSE, TO
HIS FRIEND, M. JOHN WICKS.
Is this a life, to break thy sleep,
To rise as soon as day doth peep?
To tire thy patient ox or ass
By noon, and let thy good days pass,
Not knowing this, that Jove decrees
Some mirth t' adulce man's miseries?
[Pg 38] No; 'tis a life to have thine oil
Without extortion from thy soil;
Thy faithful fields to yield thee grain,
Although with some, yet little, pain;
To have thy mind, and nuptial bed,
With fears and cares uncumbered;
A pleasing wife, that by thy side
Lies softly panting like a bride. ”

“ TO HIS BROTHER, NICHOLAS HERRICK.
What others have with cheapness seen and ease
In varnish'd maps, by th' help of compasses,
Or read in volumes and those books with all
Their large narrations incanonical,
Thou hast beheld those seas and countries far,
And tell'st to us what once they were, and are.
So that with bold truth thou can'st now relate
This kingdom's fortune, and that empire's fate:
Can'st talk to us of Sharon, where a spring
Of roses have an endless flourishing ”

“ HIS REQUEST TO JULIA.
Julia, if I chance to die
Ere I print my poetry,
I most humbly thee desire
To commit it to the fire:
Better 'twere my book were dead
Than to live not perfected.
60. MONEY GETS THE MASTERY.
Fight thou with shafts of silver and o'ercome,
When no force else can get the masterdom.
61. THE SCARE-FIRE.
Water, water I desire,
Here's a house of flesh on fire;
Ope the fountains and the springs,
And come all to bucketings:
What ye cannot quench pull down;
Spoil a house to save a town:
Better 'tis that one should fall,
Than by one to hazard all. ”

“ Less happy, less enjoying thee.
Thou never plough'st the ocean's foam
To seek and bring rough pepper home;
Nor to the Eastern Ind dost rove
To bring from thence the scorched clove;
Nor, with the loss of thy lov'd rest,
Bring'st home the ingot from the West.
No, thy ambition's masterpiece
Flies no thought higher than a fleece;
Or how to pay thy hinds, and clear
All scores, and so to end the year:
But walk'st about thine own dear bounds,
Not envying others larger grounds:
For well thou know'st 'tis not th' extent
Of land makes life, but sweet content. ”

“ To thee than unto anyone.
But as thy meat so thy immortal wine
Makes the smirk face of each to shine
And spring fresh rosebuds, while the salt, the wit,
Flows from the wine and graces it;
While reverence, waiting at the bashful board,
Honours my lady and my lord.
No scurril jest; no open scene is laid
Here for to make the face afraid;
But temperate mirth dealt forth, and so discreet-
ly that it makes the meat more sweet;
And adds perfumes unto the wine, which thou
Dost rather pour forth than allow
[Pg 186] By cruse and measure; thus devoting wine
As the Canary Isles were thine ”

“ It is useless and thankless to enlarge on such faults or such defects, as it would be useless and senseless to ignore. But how to enlarge, to expatiate, to insist on the charm of Herrick at his best—a charm so incomparable and so inimitable that even English poetry can boast of nothing quite like it or worthy to be named after it—the most appreciative reader will be the slowest to affirm or imagine that he can conjecture. This, however, he will hardly fail to remark: that Herrick, like most if not all other lyric poets, is not best known by his best work. ”

“ So, I confess, 'tis somewhat to do well
In our high art, although we can't excel
[Pg 40] Like thee, or dare the buskins to unloose
Of thy brave, bold, and sweet Maronian muse.
But since I'm call'd, rare Denham, to be gone,
Take from thy Herrick this conclusion:
'Tis dignity in others, if they be
Crown'd poets, yet live princes under thee;
The while their wreaths and purple robes do shine
Less by their own gems than those beams of thine. ”

“ Gather ye rosebuds while ye may,
Old time is still a-flying:
And this same flower that smiles to-day
To-morrow will be dying.
The glorious lamp of heaven, the sun,
The higher he's a-getting,
The sooner will his race be run,
And nearer he's to setting. ”

“ And griefs hath filed upon my silver hairs,
'Tis to be doubted whether I next year
Or no shall give ye a re-meeting here.
If die I must, then my last vow shall be,
You'll with a tear or two remember me.
[Pg 177] Your sometime poet; but if fates do give
Me longer date and more fresh springs to live,
Oft as your field shall her old age renew,
Herrick shall make the meadow-verse for you. ”

“ Have I divorc'd thee only to combine
In hot adult'ry with another wine?
True, I confess I left thee, and appeal
'Twas done by me more to confirm my zeal
And double my affection on thee, as do those
Whose love grows more inflam'd by being foes.
But to forsake thee ever, could there be
A thought of such-like possibility?
When thou thyself dar'st say thy isles shall lack
Grapes before Herrick leaves canary sack.
Thou mak'st me airy, active to be borne,
Like Iphiclus, upon the tops of corn. ”

“ Born with Marlowe, it rose at once with Shakespeare to heights inaccessible before and since and for ever, to sink through bright gradations of glorious decline to its final and beautiful sunset in Shirley: but the lyrical record that begins with the author of "Euphues" and "Endymion" grows fuller if not brighter through a whole chain of constellations till it culminates in the crowning star of Herrick. ”

“ AN ODE TO MASTER ENDYMION PORTER, UPON
HIS BROTHER'S DEATH.
Not all thy flushing suns are set,
Herrick, as yet;
Nor doth this far-drawn hemisphere
Frown and look sullen ev'rywhere.
Days may conclude in nights, and suns may rest
As dead within the west ”

“ Health is the first good lent to men;
A gentle disposition then:
Next, to be rich by no by-ways;
Lastly, with friends t'enjoy our days.
122. HIS PARTING FROM MRS. DOROTHY KENNEDY.
When I did go from thee I felt that smart
Which bodies do when souls from them depart.
Thou did'st not mind it; though thou then might'st see
Me turn'd to tears; yet did'st not weep for me.
'Tis true, I kiss'd thee; but I could not hear
Thee spend a sigh t'accompany my tear.
Methought 'twas strange that thou so hard should'st prove,
Whose heart, whose hand, whose every part spake love. ”

“ Herrick, of course, lives simply by virtue of his songs; his more ambitious or pretentious lyrics are merely magnified and prolonged and elaborated songs. Elegy or litany, epicede or epithalamium, his work is always a song-writer's; nothing more, but nothing less, than the work of the greatest song-writer—as surely as Shakespeare is the greatest dramatist—ever born of English race. ”

“ Yet the superiority of the less-popular poem is in either case beyond all question or comparison: in depth and in glow of spirit and of harmony, in truth and charm of thought and word, undeniable and indescribable. No two men of genius were ever more unlike than the authors of "Paracelsus" and "Hesperides": and yet it is as true of Herrick as of Browning that his best is not always his best-known work. Everyone knows the song, "Gather ye rosebuds while ye [Pg xiv] may"; few, I fear, by comparison, know the yet sweeter and better song, "Ye have been fresh and green". ”

“ GOD HAS A TWOFOLD PART.
God, when for sin He makes His children smart,
His own He acts not, but another's part;
But when by stripes He saves them, then 'tis known
He comes to play the part that is His own. ”

“ I'll carve thy name, and in that name kiss thee.
[Pg 200] Mon. Set with the sun thy woes. Sil. The day grows old,
And time it is our full-fed flocks to fold.
Chor. The shades grow great, but greater grows our sorrow;
But let's go steep
Our eyes in sleep,
And meet to weep
To-morrow.
Quintell, quintain or tilting board.
Bents, grasses.
Pales, the goddess of sheepfolds.
422. THE POET LOVES A MISTRESS, BUT NOT TO
MARRY.
I do not love to wed,
Though I do like to woo;
And for a maidenhead
I'll beg and buy it too.
I'll praise and I'll approve
Those maids that never vary ”