Robert Hichens

Robert Hichens

Summary

Portrait of Robert Hichens Robert Hichens The Folly Of Eustace

There are moments when a duet is gaol, a trio comparative liberty. The child, the tiny intruder into youthful married life, may come in the guise of an imp or of a good fairy: one to cloud the perfect and complete joy of two, or one to give sunlight to their nascent weariness and dissatisfaction. Or, again, it may be looked for with longing by one of two lovers, with apprehension by the other. Only when it lay dead did Winifred understand that Eustace was to her a stranger, and that she was lonely alone with him.
Source: Gutenberg

Portrait of Robert Hichens Robert Hichens The Folly Of Eustace

Each twenty-four hours London has its moment of emancipation, its moment in which the wicked begin to breathe and the good to wonder, when “How?” and “Why?” are on the lips of the opposing factions, and only the philosophers who know—or think they know—their human nature hold themselves still, and feel that man is at the least ceaselessly interesting.
Winifred sat by the fire and held a council. She called her thoughts together and gave audience to her suspicions, and her brown eyes were wide and rather mournful as her counsellors uttered each a word of hope or of warning.
Eustace was out.
Source: Gutenberg

Portrait of Robert Hichens Robert Hichens The Folly Of Eustace

But by degrees she began to feel a certain stiffness in the capers, a self-consciousness in the antics, or fancied she began to feel it, and instead of being always amused she became often thoughtful.
Whimsicality she loved. Buffoonery she possibly, even probably, could learn to hate.
Of Eustace’s love for her she had no doubt. She was certain of his affection. But was it worth having? That depended, surely, on the nature of the man in whom it sprang, from whom it flowed. She wanted to be sure of that nature; but she acknowledged to herself, as she sat by the fire, that she was perplexed.
Source: Gutenberg

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