Robert Hugh Benson

Robert Hugh Benson

Summary

Portrait of Robert Hugh Benson Robert Hugh Benson Paradoxes of Catholicism

For it was He, after all, who first proclaimed that the laws of God bind not only action but thought; it was He who first pronounced that man to be a murderer and an adulterer who in his heart willed these sins; it was He who summed up the standard of Christianity as a standard of perfection, Be you perfect, as your Father in Heaven is perfect; who bade men aspire to be as good as God!
It was His Holiness, then, that first drew on Him the hostility of the world—that radiant white-hot sanctity in which His Sacred Humanity went clothed. Which of you convinceth me of sin?...
Source: Gutenberg

Portrait of Robert Hugh Benson Robert Hugh Benson Paradoxes of Catholicism

Now the attitude of the Catholic Church towards Death is not only the most violent reversal of the world's policy, but the most paradoxical, too, of all her methods. For, while the world attempts to keep Death at arm's length, the Church strives to embrace him. Where the world draws his sword to meet Death's assault, the Church spreads her heart only to receive it. She is in love with Death, she pursues him, honours him, extols Him. She places over her altars not a Risen Christ, but a dying One.
Source: Gutenberg

Portrait of Robert Hugh Benson Robert Hugh Benson Paradoxes of Catholicism

Turn to that master passion that underlies these mysteries—the passion that is called love—and see if there be anything more inexplicable than such an explanation. What is this passion, then, that turns joy to sorrow and sorrow to joy—this motive that drives a man to lose his life that he may save it, that turns bitter to sweet and makes the cross but a light yoke after all, that causes him to find his centre outside his own circle, and to please himself best by depriving himself of pleasure?
Source: Gutenberg

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