Robert Seymour Conway

Robert Seymour Conway

Summary

Portrait of Robert Seymour Conway Robert Seymour Conway The Making of Latin (1923)

We ask now, does the suggested derivation accord with the known Phonetic Laws of the language concerned? Or, if it seems to make an exception to any one of them, can the reason for such an exception be found, for instance, in the influence of Analogy? Or, if it involves our recognising a new Phonetic Law, are there any forms which would contradict the new Law and for which no explanation can be found? For example, it was once supposed that the forms of the Latin Passive contained the word sē; amor ‘I am loved’ was derived from “amo sē.”
Source: Wikisource

Portrait of Robert Seymour Conway Robert Seymour Conway The Making of Latin (1923)

To follow the history of the sounds in any language we must understand how sounds are produced.
Just as in a whistle or an organ sound is made by a current of air passing through certain openings, and being set in vibration by certain tongues or edges put in the way of the current, so sound is produced in the human throat and mouth by a current of air sent out from the lungs; and different kinds of sound arise from the different ways in which the current is treated as it passes through the throat and mouth.
Source: Wikisource

Portrait of Robert Seymour Conway Robert Seymour Conway The Making of Latin (1923)

It is to be noted carefully that all the changes which have been described are changes of Sound, taking place in the spoken language, often long before the epoch in which the language was written down. When a language comes to be written down, and fixed spelling is established,—a thing which has happened to the languages of all civilised peoples,—and still more when the language comes to be printed, we generally find that the sounds actually existing in speech are only roughly represented in writing or printing. This is particularly true of English. The spelling of Latin was much more exact
Source: Wikisource

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