Summary

Portrait of Romain Rolland Romain Rolland Annette and Sylvie: Being Volume One of The Soul Enchanted (1925)

Annette did not sleep. Sylvie slept soundly; she had no suspicion of the tempest she had unchained. . . . Annette was the prey of unleashed demons. What had happened was a catastrophe, a double catastrophe. Sylvie was her rival, and Sylvie was lying to her. Sylvie, her beloved! Sylvie, her joy and her faith! . . . Everything was crumbling. She could no longer love her. No longer love her? Could she, could she no longer love her? . . . Oh, how deep-rooted that love was, so much more so than she had thought! . . . But is it possible to love someone whom one distrusts?
Source: Gutenberg

Portrait of Romain Rolland Romain Rolland Annette and Sylvie: Being Volume One of The Soul Enchanted (1925)

But she did not wish to admit it, especially to Marcel, and in an argument. She said:
"I wish it."
"Will power in such matters! . . ." exclaimed Marcel, with his shrewd smile. ". . . It is as though one decreed that a red fire should be a green fire. Love is a lighthouse of changing fires."
But Annette obstinately said:
"Not for me! . . . I don't want it to be!"
She was perfectly aware, and with the same conviction, of the need of change and of the need of permanence, those two passionate instincts of all vigorous lives.
Source: Gutenberg

Portrait of Romain Rolland Romain Rolland Annette and Sylvie: Being Volume One of The Soul Enchanted (1925)

In the downy idleness in which her sister kept her, while Annette was running her hands over the piano keys, Sylvie felt homesick for the noise of big shears and the sewing machine. All the works of art in the world, had they been offered to her, would not have made up for the fine, headless dummy that one can drape according to one's fancy, that one can twist and turn, before which one squats, that one slyly maltreats, and that one takes in one's arms for a dance when the forewoman is absent.
Source: Gutenberg

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