Romain Rolland

“ As with faith, so the loss of faith is often equally a flood of grace, a sudden light. Reason counts for nothing: the smallest thing is enough—a word, silence, the sound of bells. A man walks, dreams, expects nothing. Suddenly the world crumbles away. All about him is in ruins. He is alone. He no longer believes.
Christophe was terrified, and could not understand how it had come about.
It was like the flooding of a river in the spring....
Leonard's voice was still sounding, more monotonous than the voice of a cricket. Christophe did not hear it: he heard nothing. Night was fully come. ”

“ When nothing hampers action, the soul has fewer reasons for action, and the closer the walls of Jean-Christophe's prison of care and banal tasks were drawn about him, the more his heart in its revolt felt its independence. In a life without obstacles he would doubtless have abandoned himself to chance and to the voluptuous sauntering of adolescence. As he could be free only for an hour or two a day, his strength flowed into that space of time like a river between walls of rock. It is a good discipline for art for a man to confine his efforts between unshakable bounds. ”

“ He feels, he knows, that he is not alone. A soul that loves and is loved is there, near him. He groans aloud because he cannot perceive it, and yet that shadow of bitterness falling upon his ecstasy has sweetness, too. Even sadness has its light. He thinks of his beloved masters, of the genius that is gone, though its soul lives on in the music which it had lived in its life. His heart is overflowing with love; he dreams of the superhuman happiness which must have been the lot of these glorious men, since the reflection only of their happiness is still so much aflame. ”

“ Gottfried went on:
"When you are as great as from here to Coblentz, you will never make a single song."
Jean-Christophe revolted on that.
"And if I will!..."
"The more you want to, the less you can. To make songs, you have to be like those creatures. Listen...."
The moon had risen, round and gleaming, behind the fields. A silvery mist hovered above the ground and the shimmering waters. The frogs croaked, and in the meadows the melodious fluting of the toads arose. The shrill tremolo of the grasshoppers seemed to answer the twinkling of the stars. ”

“ Ada was beginning to weary of it. She was not clever enough to find new food for her love in an abundant nature like that of Christophe. Her senses and her vanity had extracted from it all the pleasure they could find in it. There was left her only the pleasure of destroying it. She had that secret instinct common to so many women, even good women, to so many men, even clever men, who are not creative either of art, or of children, or of pure action,—no matter what: of life—and yet have too much life in apathy and resignation to bear with their uselessness. ”

“ Disgust in one swoop had killed his love for Ada.
If Ada thought more firmly to establish her domination over Christophe by such an act, that proved once more her gross inappreciation of her lover. Jealousy which binds souls that are besmirched could only revolt a nature like Christophe's, young, proud, and pure. But what he could not forgive, what he never would forgive, was that the betrayal was not the outcome of passion in Ada, hardly even of one of those absurd and degrading though often irresistible caprices to which the reason of a woman is sometimes hard put to it not to surrender. ”

“ Rosa was left alone in the street, and looked in bewilderment at the door by which he had just gone in. Tears came to her eyes. She rushed in, went up to her room without a sound, so as not to have to talk to her mother, undressed hurriedly, and when she was in her bed, buried under the clothes, sobbed and sobbed. She made no attempt to think over what had passed: she did not ask herself whether Christophe loved Sabine, or whether Christophe and Sabine could not bear her: she knew only that all was lost, that life was useless, that there was nothing left to her but death. ”

“ Only a brutish heart can part without emotion from the motherland. Happy or unhappy he had lived with her; she was his mother and his comrade; he had slept in her, he had slept on her bosom, he was impregnated with her; in her bosom she held the treasure of his dreams, all his past life, the sacred dust of those whom he had loved. Christophe saw now in review the days of his life, and the dear men and women whom he was leaving on that soil or beneath it. His sufferings were not less dear to him than his joys. ”

“ How could he reply to absurdities which he blushed to hear on the lips of a man whom he esteemed and loved? Besides, Hassler did not listen to him. He stopped at that, stopped dead, with the book in his hands, shut; no expression in his eyes and his lips drawn down in bitterness. At last he said, as though he had once more forgotten Christophe's presence:
"Ah! the worst misery of all is that there is not a single man who can understand you!"
Christophe was racked with emotion. He turned suddenly, laid his hand on
Hassler's, and with love in his heart he repeated:
"There is myself!" ”

“ Idiocy!... As if the satisfaction of the vulgarest sort of pride could compensate for all the sacrifices—weariness, suffering, infamy, insults, degradation, ignoble concessions—which are the price of fame! Devil take me if I ever bother my head about such things again! Never again! Publicity is a vulgar infamy. I will be a private citizen and live for myself and those whom I love...."
"Good," said Mannheim ironically. "You must choose a profession. Why shouldn't you make shoes?"
"Ah! if I were a cobbler like the incomparable Sachs!" cried Christophe. "How happy my life would be! ”

“ What is the good of living?"
"Christophe, dear Christophe! You are not alone. You are loved...."
"What is that to me? I love nothing now. It is nothing to me whether everything else live or die. I love nothing: I loved only her. I loved only her!"
He sobbed louder than ever with his face buried in his hands. Rosa could find nothing to say. The egoism of Christophe's passion stabbed her to the heart. Now when she thought herself most near to him, she felt more isolated and more miserable than ever. Grief instead of bringing them together thrust them only the more widely apart. ”

“ Louisa was growing old. She adored her son, who was her only joy, and she was all that he most loved on earth. And yet they were always hurting each other. She hardly understood Christophe, and did not try to understand him. She was only concerned to love him. She had a narrow, timid, dull mind, and a fine heart; an immense need of loving and being loved in which there was something touching and sad. She respected her son because he seemed to her to be very learned; but she did all she could to stifle his genius. She thought he would stay all his life with her in their little town. ”

“ An old deserted cemetery, with graves lost under the rich grass, lay in slumber beside them behind the closed gates.
Leonard began to talk. He said, with his eyes shining with contentment, how happy he was to escape from life, to have found a refuge, where a man is, and forever will be, in shelter. Christophe, still sore from his wounds, felt passionately the desire for rest and forgetfulness; but it was mingled with regret. He asked with a sigh:
"And yet, does it cost you nothing to renounce life altogether?"
"Oh!" said Leonard quietly. "What is there to regret? Isn't life sad and ugly?" ”

“ There were forty and they sang four parts: it seemed as though they had set themselves to free their execution of every trace of style that could properly be called choral: a hotch-potch of little melodious effects, little timid puling shades of sound, dying pianissimos, with sudden swelling, roaring crescendos, like some one heating on an empty box: no breadth or balance, a mawkish style: it was like Bottom:
"Let me play the lion. I will roar you as gently as any sucking dove. I will roar you as it were a nightingale."
Christophe listened: foam the beginning with growing amazement. ”

“ It seemed very strange to Christophe to find himself in the remote little town among these old men whom he had never seen until that day and to be more intimate with them than if they had been his relations. He thought how fine it would be for an artist if he could know of the unknown friends whom his ideas find in the world,—how gladdened his heart would be and how fortified he would be in his strength. But he is rarely that; every one lives and dies alone, fearing to say what he feels the more he feels and the more he needs to express it. Vulgar flatterers have no difficulty in speaking. ”