Romain Rolland

“ The people know nothing of our existence: even those who are fighting the same fight like us are cut off by silence and do not know that we exist, and we do not know that they exist.... Ill-omened Paris! No doubt good also has come of it—by gathering together all the forces of the French mind and genius. But the evil it has done is at least equal to the good: and in a time like the present the good quickly turns to evil. A pseudo-élite fastens on Paris and blows the loud trumpet of publicity and the voices of all the rest of France are drowned. ”

“ Christophe felt sometimes that behind their hard faces was the knowledge of crime in the past, and the future, of these men gathered round the sumptuous table laden with food, flowers, and wine. They were almost all ugly. But the women, taken as a whole, were quite brilliant, though it did not do to look at them too closely: in most of them there was a want of subtlety in their coloring. But brilliance there was, and a fair show of material life, beautiful shoulders generously exposed to view, and a genius for making their beauty and even their ugliness a lure for the men. ”

“ Once more she could see the sky, the stars, the summer night: within herself she felt the dawning of a new interest in life, as yet only a poor, pale light, vague and sorrowful sympathy for others. And that night, for the first time for many months, the image of her little girl came to her in her dreams.—For the surest road to bring us near the beloved dead, the best means of seeing them again, is not to go with them into death, but to live. They live in our lives, and die with us.
She made no attempt to meet Christophe. ”

“ Christophe marked it. This it was that he saw in Olivier's eyes. Olivier had an intuitive perception of the souls of men, and a mind of a wide, subtle curiosity that was open to everything, denied nothing, hated nothing, and contemplated the world and things with generous sympathy: that freshness of outlook, which is a priceless gift, granting the power to taste with a heart that is always new the eternal renewal and re-birth. In that inward universe, wherein he knew himself to be free, vast, sovereign, he could forget his physical weakness and agony. ”

“ Living in the shadow of Christophe Olivier recovered his joy in the light: Christophe transmitted to him something of his abounding vitality, his physical and moral robustness, which, even in sorrow, even in injustice, even in hate, inclined to optimism. He took much more than he gave, in obedience to the law of genius, which gives in vain, but in love always takes more than it gives, quia nominor leo, because it is genius, and genius half consists in the instinctive absorption of all that is great in its surroundings and making it greater still. ”

“ Have you ever seen and felt the tragedy of the French spirit? Have you ever stood at the brink of the abyss of Pascal? How dare you slander a people who for more than a thousand years have been living in action and creation, a people that has graven the world in its own image through Gothic art, and the seventeenth century, and the Revolution,—a people that has twenty times passed through the ordeal of fire, and plunged into it again, and twenty times has come to life again and never yet has perished!...—You are all the same. ”

“ All greatness is good, and the height of sorrow tops deliverance. What casts down and overwhelms and blasts the soul beyond all hope is mediocrity in sorrow and joy, selfish and niggardly suffering that has not the strength to be rid of the lost pleasure, and in secret lends itself to every sort of degradation to steal pleasure anew. Christophe was braced up by the bitter savor that he found in the old Book: the wind of Sinai coming from vast and lonely spaces and the mighty sea to sweep away the steamy vapors. ”

“ But Christophe, to whom this love of life, detached from life, seemed to be very little different from resignation and acceptance of death, felt in his heart, as in Empedocles of old, the stirring of a hymn to Hatred and to Love, the brother of Hate, fruitful Love, tilling and sowing good seed in the earth. He did not share Olivier's calm fatalism: he had no such confidence in the continuance of a race which did not defend itself, and his desire was to appeal to all the healthy forces of the nation, to call forth and band together all the honest men in the whole of France. ”

“ One evening, as he sat in his room, he could not restrain his tears: he flung himself on his knees by his bed and prayed.... To whom did he pray? To whom could he pray? He did not believe in God; he believed that there was no God.... But he had to pray—he had to pray within his soul. Only the mean of spirit never need to pray. They never know the need that comes to the strong in spirit of taking refuge within the inner sanctuary of themselves. As he left behind him the humiliations of the day, in the vivid silence of his heart Christophe felt the presence of his eternal Being, of his God. ”

“ What an upheaval it would be, if the word were spoken, the magic word which should let loose these forces all together! Of course, neither you nor I can say the word. Who will say it? Victory? Glory?... Patience! The chief thing is for the strength of the nation to be gathered together, and not to rust away, and not to lose heart before the time comes. Happiness and genius only come to those peoples who have earned them by ages of stoic patience, and labor, and faith."
"Who knows?" said Christophe. "They often come sooner than we think—just when we expect them least. ”

“ It is perhaps in such light-hearted girls, little creatures working for their living, that one finds most the old serenity that is no more, the serenity of the antique statues and the faces of Raphael. There is but one moment in their lives, the first awakening of pleasure: all too soon their lives are sullied. But at least they have lived for one lovely hour.
It gave Christophe an exquisite pleasure to look at her: a pretty face would always warm his heart: he could enjoy without desire: he found joy in it, force, comfort,—almost virtue. ”

“ He was clever enough to feel not only the worth of a piece of work, but also the worth of a man. Behind Christophe's outburst he had marked a force. And he knew its rarity—in the world of art more than anywhere else. But his vanity was ruffled by it: nothing would ever induce him to admit himself in the wrong. He desired loyally to be just to Christophe, but he could not do it unless Christophe came and groveled to him. He expected Christophe to return: his melancholy skepticism and his experience of men had told him how inevitably the will is weakened and worn down by poverty. ”

“ After all the years of exhausting struggle in the burning heat of Paris, where ideas and men jostle in the whirl of confusion, after those tragic days when there had passed over them the wind of the madness which hurls the nations, cozened by their own hallucinations, murderously against each other, Christophe felt utterly weary of the fevered, sterile world, the conflict between egoisms and ideas, the little groups of human beings deeming themselves above humanity, the ambitious, the thinkers, the artists who think themselves the brain of the world, and are no more than a haunting evil dream. ”

“ I am a soldier in the army of the spirit: with thousands of other men who are my brothers-in-arms I represent France in that army. Let Cæsar conquer the world if he will! We march to the conquest of truth."
"To conquer," said Christophe, "you must vanquish, you must live. Truth is no hard dogma, secreted by the brain, like a stalactite by the walls of a cave. Truth is life. It is not to be found in your own head, but to be sought for in the hearts of others. ”

“ You make yourselves drunk with liberty, and forget life. Absolute liberty means madness to the mind, anarchy to the State ... Liberty! What man is free in this world? What man in your Republic is free?—Only the knaves. You, the best of the nation, are stilled. You can do nothing but dream. Soon you will not be able even to dream."
"No matter!" said Olivier. "My poor dear Christophe, you cannot know the delight of being free. It is worth while paying for it with so much danger, and suffering, and even death. ”

“ Olivier was right. It is not through words that a man can influence other men: but through his life. There are people who irradiate an atmosphere of peace from their eyes, and in their gestures, and through the silent contact with the serenity of their souls. Christophe irradiated life. Softly, softly, like the moist air of spring, it penetrated the walls and the closed windows of the somnolent old house: it gave new life to the hearts of men and women, whom sorrow, weakness, and isolation had for years been consuming, so that they were withered and like dead creatures. ”

“ They took no account of the public, and the public never bothered about them. Their art was out of touch with the people, music which was only fed from music. Now, Christophe was under the impression, rightly or wrongly, that there was no music that had a greater need of outside support than French music. That supple climbing plant needed a prop: it could not do without literature, but did not find in it enough of the breath of life. French music was breathless, bloodless, will-less. It was like a woman languishing for her lover. ”

“ Madame Jeannin and Olivier, though they were racked by it, were more inured to it. Instinctively pessimistic, they were overwhelmed but not surprised. The idea of death had always been a refuge to them, as it was now, more than ever: they longed for death. It is pitiful to be so resigned, but not so terrible as the revolt of a young creature, confident and happy, loving every moment of her life, who suddenly finds herself face to face with such unfathomable, irremediable sorrow, and death which is horrible to her....
Antoinette discovered the ugliness of the world in a flash. ”

“ For Christophe the chief thing was to wake that Force within himself and in others, to fling armfuls of wood upon the fire, to feed the flames of Eternity, and make them roar and flicker. Through the voluptuous night of Paris a great flame darted in his heart. He thought himself free of Faith, and he was a living torch of Faith.
Nothing was more calculated to outrage the French spirit of irony. Faith is one of the feelings which a too civilized society can least forgive: for it has lost it and hates others to possess it. ”

“ One friend to another is crystal-clear: they exchange entities. Their features are assimilated. Soul imitates soul,—until that day comes when deep-moving force, the spirit of the race, bursts his bonds and rends asunder the web of love in which he is held captive.
Christophe spoke in low tones, walked softly, tried hard to make no noise in his room, which was next to that of the silent Olivier: he was transfigured by his friendship: he had an expression of happiness, confidence, youth, such as he had never worn before. He adored Olivier. ”

“ Unlike the French artists whom he studied, who were ingenious inventors of new forms, and wore themselves out in the unceasing effort of invention, and gave up the struggle half-way, he endeavored not so much to invent a new musical language as to speak the authentic language of music with more energy: his aim was not to be particular, but to be strong. His, passion for strength was the very opposite of the French genius of subtlety and moderation. He scorned style for the sake of style and art for art's sake. The best French artists seemed to him to be no more than pleasure-mongers. ”

“ You do not know the people, you do not know the élite. Have you read a single one of the books which are our faithful friends, the companions who support us in our lives? Do you even know of the existence of our young reviews in which such great faith and devotion are expressed? Have you any idea of the men of moral might and worth who are as the sun to us, the sun whose voiceless light strikes terror to the army of the hypocrites? They dare not make a frontal attack: they bow before them, the better to betray them. The hypocrite is a slave, and there is no slave but he has a master. ”

“ Christophe dropped like a thunderbolt into the midst of his dim crepuscular life. He was furious at the wickedness of people and Olivier's patience.
"Have you no blood in your veins?" he would say. "How can you stand such a life? You know your own superiority to these swine, and yet you let them squeeze the life out of you without a murmur!"
"What can I do?" Olivier would say. "I can't defend myself. It revolts me to fight with people I despise: I know that they can use every weapon against me: and I can't. ”

“ Art is life tamed. Art is the Emperor of life. To be Cæsar a man must have the soul of Cæsar. But you are only limelight Kings: you are playing a part, and do not even deceive yourselves. And, like those actors, who turn to profit their deformities, you manufacture literature out of your own deformities and those of your public. Lovingly do you cultivate the diseases of your people, their fear of effort, their love of pleasure, their sensual minds, their chimerical humanitarianism, everything in them that drugs the will, everything in them that saps their power for action. ”

“ The flame of his life had kindled the apathy of young Weil. He had raised him from the earth. While his friend was alive Weil had marched by his side in the shining light of his stoical faith,—faith in science, in the power of the spirit, in a future happiness,—the rays of which were shed upon everything with which that messianic soul came in contact. When he was left alone, in his weakness and irony, Weil fell from the heights of that idealism into the sands of that Book of Ecclesiastes, which exists in the mind of every Jew and saps his spiritual vitality. ”

“ Christophe remembered the shock of his impact with that brutal genius, which smacked of earth and the musty smell of the heroic beasts that it had summoned forth. His eyes, seared by the raw light, used to the frantic motley of that drunken savage, could hardly adapt themselves to the half-tints, the dainty and mellifluous harmonies of French art.
But no man with impunity can live in a foreign land. Unknown to him it sets its seal upon him. In vain does he withdraw into himself: upon a day he must wake up to find that something has changed. ”

“ I think it is fine of you to prefer truth to your happiness. But when it comes to the happiness of other people.... Then I say, 'Stop!' You are taking too much upon yourselves. Thou shalt love truth, more than thyself, but thy neighbor more than truth."
"Is one to lie to one's neighbor?"
Christophe replied with the words of Goethe:
"We should only express those of the highest truths which will be to the good of the world. The rest we must keep to ourselves: like the soft rays of a hidden sun, they will shed their light upon all our actions." ”